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Didi-Huberman and the Image by Chari Larsson (English) Paperback Book

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eBay item number:387708732848
Last updated on Jan 09, 2025 22:40:41 PSTView all revisionsView all revisions

Item specifics

Condition
Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See the ...
ISBN-13
9781526167101
Type
Does not apply
ISBN
9781526167101
Book Title
Didi-Huberman and the Image
Publisher
Manchester University Press
Item Length
8.5 in
Publication Year
2022
Format
Trade Paperback
Language
English
Illustrator
Yes
Item Height
0.4 in
Author
Chari Larsson
Genre
Art, Philosophy
Topic
Epistemology, Criticism & Theory, Aesthetics
Item Weight
8.8 Oz
Item Width
5.4 in
Number of Pages
208 Pages

About this product

Product Identifiers

Publisher
Manchester University Press
ISBN-10
1526167107
ISBN-13
9781526167101
eBay Product ID (ePID)
20057274236

Product Key Features

Book Title
Didi-Huberman and the Image
Number of Pages
208 Pages
Language
English
Topic
Epistemology, Criticism & Theory, Aesthetics
Publication Year
2022
Illustrator
Yes
Genre
Art, Philosophy
Author
Chari Larsson
Format
Trade Paperback

Dimensions

Item Height
0.4 in
Item Weight
8.8 Oz
Item Length
8.5 in
Item Width
5.4 in

Additional Product Features

Intended Audience
Trade
Dewey Edition
23
Reviews
'Larsson's book is a wonderful entrรฉe into the complexities of [Didi-Huberman's] discourse, and its legibility is a testament to the author, who has ordered and presented Didi-Huberman's often dazzling agenda for art history today.' Giles Fielke, Australian and New Zealand Journal of Art 'Given the fact that Didi-Huberman has written over fifty books in a career spanning four decades and that he is one of the most well-known French theorists of images, such a study is long overdue... scholars studying his work now have a well-researched and very helpful monograph to help them find their way through the labyrinthine oeuvre of Didi-Huberman.' Stijn De Cauwer, CAA Reviews, 'Larsson's book is a wonderful entrรฉe into the complexities of [Didi-Huberman's] discourse, and its legibility is a testament to the author, who has ordered and presented Didi-Huberman's often dazzling agenda for art history today.'Giles Fielke, Australian and New Zealand Journal of Art 'Given the fact that Didi-Huberman has written over fifty books in a career spanning four decades and that he is one of the most well-known French theorists of images, such a study is long overdue... scholars studying his work now have a well-researched and very helpful monograph to help them find their way through the labyrinthine oeuvre of Didi-Huberman.'Stijn De Cauwer, CAA Reviews
Dewey Decimal
701
Table Of Content
Introduction 1 The archaeological art historian 2 The materiality of images 3 Timely anachronisms 4 The empreinte 5 Making monsters 6 Thinking images Conclusion Bibliography Index
Synopsis
Philosopher and art historian Georges Didi-Huberman is one of the most innovative and influential critical thinkers writing today. This book is the first English-language study of his writing on images. An image is a form of representation, but what are the philosophical frameworks supporting it? The book considers how Didi-Huberman takes up this question repeatedly over the course of his career. Placing his project in relation to major historical and intellectual contexts, it shows not only how he modifies dominant disciplinary traditions, but also how the study of images is central to a new way of thinking about poststructuralist-inspired art history. This is the first English-language study of the legendary French art historian Georges Didi-Huberman. With clear discussions of Didi-Huberman's ideas and arguments, this book offers an excellent introduction to one of the most influential critical thinkers writing today., Philosopher and art historian Georges Didi-Huberman is one of the most innovative and influential critical thinkers writing today. This book is the first English-language study of his writing on images. An image is a form of representation, but what are the philosophical frameworks supporting it? The book considers how Didi-Huberman takes up this question repeatedly over the course of his career. Placing his project in relation to major historical and intellectual contexts, it shows not only how he modifies dominant disciplinary traditions, but also how the study of images is central to a new way of thinking about poststructuralist-inspired art history., This is the first English-language study of the legendary French art historian Georges Didi-Huberman. With clear discussions of Didi-Huberman's ideas and arguments, this book offers an excellent introduction to one of the most influential critical thinkers writing today. -- .
LC Classification Number
N70

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    The book was in excellent condition, quality and appearance excellent as described, and packaged safely in a box very well. Seller shipped immediately and communication and payment transfer was excellent. Great eBayer!!! Price of book was very competitive. A+++++
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