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Life itself - Roger Ebert

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Item specifics

Condition
Very Good: A book that does not look new and has been read but is in excellent condition. No obvious ...
ISBN
9780446584975
Book Title
Life Itself : a Memoir
Publisher
Grand Central Publishing
Item Length
9.5 in
Publication Year
2011
Format
Hardcover
Language
English
Illustrator
Yes
Item Height
1.5 in
Author
Roger Ebert
Genre
Performing Arts, Biography & Autobiography
Topic
Editors, Journalists, Publishers, Personal Memoirs, Entertainment & Performing Arts, Film / History & Criticism
Item Weight
25.2 Oz
Item Width
6.5 in
Number of Pages
448 Pages
Category

About this product

Product Identifiers

Publisher
Grand Central Publishing
ISBN-10
0446584975
ISBN-13
9780446584975
eBay Product ID (ePID)
109070781

Product Key Features

Book Title
Life Itself : a Memoir
Number of Pages
448 Pages
Language
English
Publication Year
2011
Topic
Editors, Journalists, Publishers, Personal Memoirs, Entertainment & Performing Arts, Film / History & Criticism
Illustrator
Yes
Genre
Performing Arts, Biography & Autobiography
Author
Roger Ebert
Format
Hardcover

Dimensions

Item Height
1.5 in
Item Weight
25.2 Oz
Item Length
9.5 in
Item Width
6.5 in

Additional Product Features

Intended Audience
Trade
LCCN
2011-022442
Dewey Edition
23
Reviews
Tales from childhood, interviews with film stars and directors, funny and touching stories about colleagues, and evocative essays about trips unspool before the reader in a series of loosely organized, often beautifully written essays crafted by a witty, clear-eyed yet romantic raconteur....Ebert's work as a film critic sent him traveling, and his wonderfully personal essays on places around the world where he seeks solitude are highlights of the book, rich in reflections, imagery and sensory detail., "It's hardly surprising that Ebert, the Pulitzer Prize-winning film critic for the Chicago Sun-Times since 1967, begins this candid examination of an extraordinary life with an allusion to Ingmar Bergman's Persona, about an actress who loses her voice in mid-performance. Though three thyroid cancer surgeries resulting in the removal of his lower jaw have left Ebert unable to speak, eat, or drink, these are not famous last words. Forgoing a traditional linear format, each chapter--particularly "My Old Man" and "Big John Wayne"--could function as a stand-alone essay. Born in Urbana, Ill., in 1942, Ebert spent a carefree childhood, often with his nose in a book. Drawn to newspapers beginning in high school, he became the sports reporter for his school paper before rising to the rank of co-editor. The position of film critic fell into his lap at the Sun-Times--a paper he joined after leaving a graduate English program--and Ebert hasn't looked back. And while films have governed his life for close to 50 years, he wisely doesn't choose the greatest hits version of his reviewing career, focusing instead on the life he's lived in between screenings: his battle with alcoholism; tight-knit friendships forged in the newsroom (and bar); and his marriage to Chaz, whom he calls "the great fact of my life." Hollywood gets its due, but it's an ensemble player, sharing the screen with reminiscences both witty and passionate from one of our most important cultural voices.", "Thoughtful, entertaining, and emotional...Ebert comes across as smart, bighearted, and eccentric...and writes with unflinching candor about difficult subjects."-- Entertainment Weekly (A-), "Ebert is best known, of course, as the nation's most prominent film critic; but in recent years he's turned to exploring more personal concerns on his widely read blog, leading to this poignant memoir. Five years ago, surgeries following thyroid cancer left him unable to speak, eat, or drink, but as he recounts, he "began to replace what I lost with what I remembered." This enhanced recall allows him to relate with exhaustive detail his halcyon if unremarkable childhood in a small town in the Midwest and his life changing college days. When the narrative turns to journalism and, inevitably, movies, as Ebert falls into his reviewing gig at the Chicago Sun-Times in 1967, the focus becomes sharper, and even the tangential chapters-devoted to topics ranging from his encounters with film legends to his stormy relationship with TV partner Gene Siskel-are cogently engaging. But it's the most personal segments, dealing with his struggle with alcoholism, his supportive wife, Chaz, and his recent illness, that give the book its considerable emotional heft. Ebert illuminates and assesses his life with the same insight and clarity that marks his acclaimed movie reviews.", "His story is inspirational, and his memoirs, Life Itself, are a pleasure to read....Spellbinding." -- The Boston Review, A beautiful memoir of staccato sentences and chapters... a well-honed voice, familiar sounding, even though silent., Ebert is exceptionally good company. Like Christopher Hitchens and Kirk Douglas, he works prodigiously and narrates his Job-like woes with a surprisingly chipper voice....and a captivating, moveable feast it is., "Ebert's new memoir, "Life Itself," is an episodic, impressionistic and skillfully written exploration of his life, from his 1950s childhood in Urbana, Ill., to his recent battles against thyroid cancer, which have left him unable to speak, or to eat or drink through his mouth. What shines throughout the book is Ebert's humility, his down-to-earth and powerful sense of decency."-- Minneapolis Star Tribune, "A gentle look back, "Life Itself: A Memoir" is as moving as it is amusing, fresh evidence that Roger Ebert is a writer who happens to love movies, not a movie lover who happens to write."-- Associated Press, "So he lost his speech but not his voice; it rings out with greater clarity and authority than ever."-- Time Magazine, "As Ebert notes in his new autobiography, "Life Itself," his silence has made his inner voice more vivid, and-as he himself says in his introduction-the book is proof of it. In particular, he summons his youth (he was born in 1942) and those who were close to him then-family, friends, neighbors, teachers-with a wealth of detail that is at once a tribute to the vigorous fullness with which he has lived and to his power of perception, recollection, and description. ...The treasure of the book is Ebert's portraiture-whether of family, friends, colleagues, or celebrities. He speaks lovingly of actors ("I am beneath everything else a fan. I was fixed in this mode as a young boy and am awed by people who take the risks of performance"); in particular, his sketches of Robert Mitchum, Lee Marvin, and John Wayne pulsate with life (they're juicily quotable, but I won't bother quoting; just do read them), and he conjures a remarkable character, Billy "Silver Dollar" Baxter, a former wheeler-dealer at the Cannes Film Festival who, Ebert writes, now "lives not far from Broadway, which is to Billy as the stream is to the trout...." The dialogue Ebert reproduces is a comic masterwork; I feel as if I'm seeing a version of the American tycoon from Jacques Tati's "Playtime," only smarter, raunchier, and more inventive: Irving! Take care of Francis Ford Chrysler over there! And set 'em up for Prince Albert in a can! Whatever he's having. Doo-blays!", "As Ebert notes in his new autobiography, "Life Itself," his silence has made his inner voice more vivid, and-as he himself says in his introduction-the book is proof of it. In particular, he summons his youth (he was born in 1942) and those who were close to him then-family, friends, neighbors, teachers-with a wealth of detail that is at once a tribute to the vigorous fullness with which he has lived and to his power of perception, recollection, and description. ...The treasure of the book is Ebert's portraiture-whether of family, friends, colleagues, or celebrities. He speaks lovingly of actors ("I am beneath everything else a fan. I was fixed in this mode as a young boy and am awed by people who take the risks of performance"); in particular, his sketches of Robert Mitchum, Lee Marvin, and John Wayne pulsate with life (they're juicily quotable, but I won't bother quoting; just do read them), and he conjures a remarkable character, Billy "Silver Dollar" Baxter, a former wheeler-dealer at the Cannes Film Festival who, Ebert writes, now "lives not far from Broadway, which is to Billy as the stream is to the trout...." The dialogue Ebert reproduces is a comic masterwork; I feel as if I'm seeing a version of the American tycoon from Jacques Tati's "Playtime," only smarter, raunchier, and more inventive: Irving! Take care of Francis Ford Chrysler over there! And set 'em up for Prince Albert in a can! Whatever he's having. Doo-blays!" -- Richard Brody, The New Yorker, "It's hardly surprising that Ebert, the Pulitzer Prize-winning film critic for the Chicago Sun-Times since 1967, begins this candid examination of an extraordinary life with an allusion to Ingmar Bergman's Persona, about an actress who loses her voice in mid-performance. Though three thyroid cancer surgeries resulting in the removal of his lower jaw have left Ebert unable to speak, eat, or drink, these are not famous last words. Forgoing a traditional linear format, each chapter--particularly "My Old Man" and "Big John Wayne"--could function as a stand-alone essay. Born in Urbana, Ill., in 1942, Ebert spent a carefree childhood, often with his nose in a book. Drawn to newspapers beginning in high school, he became the sports reporter for his school paper before rising to the rank of co-editor. The position of film critic fell into his lap at the Sun-Times--a paper he joined after leaving a graduate English program--and Ebert hasn't looked back. And while films have governed his life for close to 50 years, he wisely doesn't choose the greatest hits version of his reviewing career, focusing instead on the life he's lived in between screenings: his battle with alcoholism; tight-knit friendships forged in the newsroom (and bar); and his marriage to Chaz, whom he calls "the great fact of my life." Hollywood gets its due, but it's an ensemble player, sharing the screen with reminiscences both witty and passionate from one of our most important cultural voices."-- Publisher's Weekly (starred review), So he lost his speech but not his voice; it rings out with greater clarity and authority than ever., "A gentle look back, "Life Itself: A Memoir" is as moving as it is amusing, fresh evidence that Roger Ebert is a writer who happens to love movies, not a movie lover who happens to write.", Candid, funny and kaleidoscopic...This is the best thing Mr. Ebert has ever written...The book sparkles with his new, improvisatory, written version of dinner-party conversation...Its globe-trotting, indefatigable author comes across as the life of a lifelong party., "Ebert is best known, of course, as the nation's most prominent film critic; but in recent years he's turned to exploring more personal concerns on his widely read blog, leading to this poignant memoir. Five years ago, surgeries following thyroid cancer left him unable to speak, eat, or drink, but as he recounts, he "began to replace what I lost with what I remembered." This enhanced recall allows him to relate with exhaustive detail his halcyon if unremarkable childhood in a small town in the Midwest and his life changing college days. When the narrative turns to journalism and, inevitably, movies, as Ebert falls into his reviewing gig at the Chicago Sun-Times in 1967, the focus becomes sharper, and even the tangential chapters-devoted to topics ranging from his encounters with film legends to his stormy relationship with TV partner Gene Siskel-are cogently engaging. But it's the most personal segments, dealing with his struggle with alcoholism, his supportive wife, Chaz, and his recent illness, that give the book its considerable emotional heft. Ebert illuminates and assesses his life with the same insight and clarity that marks his acclaimed movie reviews."-- Booklist (starred review), "Candid, funny and kaleidoscopic...This is the best thing Mr. Ebert has ever written...The book sparkles with his new, improvisatory, written version of dinner-party conversation...Its globe-trotting, indefatigable author comes across as the life of a lifelong party."-- Janet Maslin, The New York Times, "Ebert is exceptionally good company. Like Christopher Hitchens and Kirk Douglas, he works prodigiously and narrates his Job-like woes with a surprisingly chipper voice....and a captivating, moveable feast it is."-- Maureen Dowd, New York Times Book Review, Thoughtful, entertaining, and emotional...Ebert comes across as smart, bighearted, and eccentric...and writes with unflinching candor about difficult subjects., "Tales from childhood, interviews with film stars and directors, funny and touching stories about colleagues, and evocative essays about trips unspool before the reader in a series of loosely organized, often beautifully written essays crafted by a witty, clear-eyed yet romantic raconteur....Ebert's work as a film critic sent him traveling, and his wonderfully personal essays on places around the world where he seeks solitude are highlights of the book, rich in reflections, imagery and sensory detail."-- Washington Post, "Ebert's new memoir, "Life Itself," is an episodic, impressionistic and skillfully written exploration of his life, from his 1950s childhood in Urbana, Ill., to his recent battles against thyroid cancer, which have left him unable to speak, or to eat or drink through his mouth. What shines throughout the book is Ebert's humility, his down-to-earth and powerful sense of decency.", "A beautiful memoir of staccato sentences and chapters... a well-honed voice, familiar sounding, even though silent."-- Los Angeles Review of Books, "As Ebert notes in his new autobiography, "Life Itself," his silence has made his inner voice more vivid, and-as he himself says in his introduction-the book is proof of it. In particular, he summons his youth (he was born in 1942) and those who were close to him then-family, friends, neighbors, teachers-with a wealth of detail that is at once a tribute to the vigorous fullness with which he has lived and to his power of perception, recollection, and description. ...The treasure of the book is Ebert's portraiture-whether of family, friends, colleagues, or celebrities. He speaks lovingly of actors ("I am beneath everything else a fan. I was fixed in this mode as a young boy and am awed by people who take the risks of performance"); in particular, his sketches of Robert Mitchum, Lee Marvin, and John Wayne pulsate with life (they're juicily quotable, but I won't bother quoting; just do read them), and he conjures a remarkable character, Billy "Silver Dollar" Baxter, a former wheeler-dealer at the Cannes Film Festival who, Ebert writes, now "lives not far from Broadway, which is to Billy as the stream is to the trout...." The dialogue Ebert reproduces is a comic masterwork; I feel as if I'm seeing a version of the American tycoon from Jacques Tati's "Playtime," only smarter, raunchier, and more inventive:Irving! Take care of Francis Ford Chrysler over there! And set 'em up for Prince Albert in a can! Whatever he's having. Doo-blays!"
Dewey Decimal
791.43092 B
Synopsis
Named one of the 100 greatest film books of all time by The Hollywood Reporter, this singular, warm-hearted, inspiring look at life itself is "the best thing Mr. Ebert has ever written" (Janet Maslin, New York Times). "To make ourselves unhappy is where all crime starts. We must try to contribute joy to the world. That is true no matter what our problems, our health, our circumstances. We must try. I didn't always know this, and am happy I lived long enough to find it out." Roger Ebert was the best-known film critic of his time. He began reviewing films for the Chicago Sun-Times in1967, and was the first film critic ever to win a Pulitzer Prize. He appeared on television for four decades. In 2006, complications from thyroid cancer treatment resulted in the loss of his abi)lity to eat, drink, or speak. But with the loss of his voice, Ebert became a more prolific and influential writer. And in Life Itself he told the full, dramatic story of his life and career. In this candid, personal history, Ebert chronicled it all: his loves, losses, and obsessions; his struggle and recovery from alcoholism; his marriage; his politics; and his spiritual beliefs. He wrote about his years at the Sun-Times , his colorful newspaper friends, and his life-changing collaboration with Gene Siskel. He shared his insights into movie stars and directors like John Wayne and Martin Scorsese. This is a story that only Roger Ebert could tell, filled with the same deep insight, dry wit, and sharp observations that his readers have long cherished,, THE NEW YORK TIMES BESTSELLER "The best thing Mr. Ebert has ever written." - Janet Maslin, New York Times "To make ourselves unhappy is where all crime starts. We must try to contribute joy to the world. That is true no matter what our problems, our health, our circumstances. We must try. I didn't always know this, and am happy I lived long enough to find it out." Roger Ebert is the best-known film critic of our time. He has been reviewing films for the Chicago Sun-Times since 1967, and was the first film critic ever to win a Pulitzer Prize. He has appeared on television for four decades. In 2006, complications from thyroid cancer treatment resulted in the loss of his ability to eat, drink, or speak. But with the loss of his voice, Ebert has only become a more prolific and influential writer. And now, for the first time, he tells the full, dramatic story of his life and career. In this candid, personal history, Ebert chronicles it all: his loves, losses, and obsessions; his struggle and recovery from alcoholism; his marriage; his politics; and his spiritual beliefs. He writes about his years at the Sun-Times , his colorful newspaper friends, and his life-changing collaboration with Gene Siskel. He shares his insights into movie stars and directors like John Wayne and Martin Scorsese. This is a story that only Roger Ebert could tell. Filled with the same deep insight, dry wit, and sharp observations that his readers have long cherished, this is more than a memoir -- it is a singular, warm-hearted, inspiring look at life itself.
LC Classification Number
PN1998.3.E327A3 2011

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