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James Brown (Icons of Pop Music), Scannell 9781845537432 Fast Free Shipping-,

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eBay item number:315112595187
Last updated on Jan 14, 2025 11:30:13 PSTView all revisionsView all revisions

Item specifics

Condition
Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See the ...
PublishedOn
2012-04-01
Title
James Brown (Icons of Pop Music)
Artist
Not Specified
ISBN
9781845537432
Publication Year
2012
Series
Icons of Pop Music Ser.
Type
Textbook
Format
Trade Paperback
Language
English
Subject Area
Music, Biography & Autobiography
Publication Name
James Brown
Author
John Scannell
Publisher
Equinox Publishing The Limited
Subject
Genres & Styles / Soul & R 'NB, Composers & Musicians, Entertainment & Performing Arts, Genres & Styles / Jazz
Item Weight
3.7 Oz
Number of Pages
176 Pages

About this product

Product Identifiers

Publisher
Equinox Publishing The Limited
ISBN-10
1845537432
ISBN-13
9781845537432
eBay Product ID (ePID)
109078865

Product Key Features

Number of Pages
176 Pages
Language
English
Publication Name
James Brown
Publication Year
2012
Subject
Genres & Styles / Soul & R 'NB, Composers & Musicians, Entertainment & Performing Arts, Genres & Styles / Jazz
Type
Textbook
Subject Area
Music, Biography & Autobiography
Author
John Scannell
Series
Icons of Pop Music Ser.
Format
Trade Paperback

Dimensions

Item Weight
3.7 Oz

Additional Product Features

Intended Audience
College Audience
LCCN
2011-026490
Dewey Edition
23
Number of Volumes
1 vol.
Illustrated
Yes
Dewey Decimal
782.421644092 B
Table Of Content
1. A Musical Future 2. The Early Years 3. The Soul Era 4. The Foundations of Funk 5. The Godfather of Post-Soul
Synopsis
For ten years between 1965 and 1975, James Brown was the most popular and cutting-edge of any black artist. As one journalist put it, "before Brown, there was music with a beat. After Brown music had found a groove." The drawing out of this "groove," leveraged on "the one," - or the first and third beats of a 4/4 bar, - would provide the key to much of Brown's subsequent musical success and instil within popular music an unprecedented drive that would characterize not only the funk style, but also provide the rhythmic blueprint for dance music up to the present day. This book explores how funk emerged in the mid-1960s at the very apex of the civil rights movement and shows how this music mirrored the broader changes taking place within the African-American community at a crucial political time and continues to this day to underpin remix culture. It traces the extent of the Brown legacy, musically, culturally and otherwise articulating decisive links between Brown's work and the DJ culture that embraced it so emphatically that Brown is now considered to be the most widely sampled African-American recording artist in history; many of Brown's refrains - the screams, the horn stabs, the "funky drummer" breakbeats - have been sampled so often as to have seemingly become part of the public domain. Traversing the past forty years of popular music, the book explores how the ubiquitous presence of Brown's groove, the affective and transformative capacities of a grunt or a well-timed "Good God" or punctuating scream take over where language fails and have made Brown one of the greatest musical innovators of the twentieth century.
LC Classification Number
ML420.B818S32 2011

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