Live Art Almanac : Volume 4 by Lois Keidan (2016, Trade Paperback)

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A collection of found writings about and around Live Art that were originally published, shared, sent, spread and read between January 2012 and December 2014. and about: Ai Weiwei, Pussy Riot,?. She was Director of Live Arts at the Institute of Contemporary Arts, London from 1992 to 1997.

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Product Identifiers

PublisherOberon Design Books, The Limited
ISBN-101783193220
ISBN-139781783193226
eBay Product ID (ePID)219692206

Product Key Features

Book TitleLive Art Almanac : Volume 4
Number of Pages312 Pages
LanguageEnglish
TopicDrama, Theater / History & Criticism, History / Contemporary (1945-)
Publication Year2016
GenreLiterary Criticism, Art, Performing Arts
AuthorLois Keidan
FormatTrade Paperback

Dimensions

Item Height0.8 in
Item Weight23.4 Oz
Item Length9.7 in
Item Width7.4 in

Additional Product Features

Intended AudienceTrade
Dewey Edition23
TitleLeadingThe
Volume NumberVol. 4
Dewey Decimal702.81
SynopsisLive Art is now recognized as one of the most vital and influential of creative spaces in the UK. Live Art is a research engine, driven by artists who are working across forms, contexts and spaces to open up new artistic models, new languages for the representation of ideas and new strategies for intervening in the public sphere. Influenced at one extreme by late 20th-century Performance Art methodologies where fine artists, in a rejection of objects and markets, turned to their body as the site and material of their practice, and at the other by enquiries where artists broke the traditions of the circumstance and expectations of theatre, a diverse range of practitioners in the 21st century - from those working in dance, film and video, to performance writing, socio-political activism and the emerging languages of the digital age - continue to be excited by the possibilities of the live event. The term Live Art is not a description of an artform or discipline, but a cultural strategy to include experimental processes and experiential practices that might otherwise be excluded from established curatorial, cultural and critical frameworks.Live Art is a framing device for a catalogue of approaches to the possibilities of liveness by artists who chose to work across, in between, and at the edges of more traditional artistic forms. Disrupting borders, breaking rules, defying traditions, resisting definitions, asking awkward questions and activating audiences, Live Art breaks the rules about who is making art, how they are making it and who they are making it for. Live Art is on the frontline of enquiries into what our culture is and where it is located, who our artists are and where they come from, what an audience can be and how they can be addressed., Drawing together all kinds of writing about and around Live Art, The Live Art Almanac is both a useful resource and a great read for artists, writers, students and others interested in the field of interdisciplinary, performance-based art. The Live Art Almanac Volume 4 is? a collection of 'found' writings about and around Live Art that were originally published, shared, sent, spread and read between January 2012 and December 2014. Selected through recommendations and an open call for submissions, Volume 4 reflects the dynamic, international contexts that Live Art and radical performance-based practices occupy. Live Art is experiencing a huge ?surge in interest with major museums embracing this disparate area of practice, formerly cult artists becoming household names, and everyone from Shia LaBeouf, Lady Gaga and Jay Z trying to get in on the action. Reflecting the diversity of approaches and key developments from the last few years, Volume 4 is grouped into seven loosely themed sections: Locating Performance; Performance Under Attack; Speaking Up/Speaking Out; Show Me the Money; High Art in Low Places; Reviews; and Dearly Departed. This volume includes writings by, ? and about: Ai Weiwei, Pussy Riot, ?Tim Etchells, Karen Finley, Vaginal Davis, Ann Magnuson, Shaheen Merali, Jennifer Doyle, Marilyn Arsem, Guy Brett, Nigel Charnock, Claire Bishop, Bryony Kimmings, Matthew Barney, Coco Fusco, Stuart Hall, Miley Cyrus, Petr Pavlensky, Reverend Billy, Ron Athey, Mike Kelley, Oreet Ashery, CHRISTEENE, Marcia Farquhar, Morgan Quaintance, Adrian Howells, Amelia Abraham, Brian Boucher, Rose Finn-Kelcey, Mat Fraser, José Esteban Muñoz, Kembra Pfahler, Hennessy Youngman, Joan Rivers, Mykki Blanco, Monica Ross, Wu Tsang, boychild, Wendy Houstoun, the vacuum cleaner and many more. The Live Art Almanac Volume 4 is published by Live Art Development Agency and Oberon Books., Drawing together all kinds of writing about and around Live Art, the Almanac is a resource for artists, writers, and students interested in the field of interdisciplinary, performance-based art. The Live Art Development Agency's international framework reflects the dynamic, international contexts in which Live Art and radical performance-based practices are happening and represents a range of writings from around the world., Drawing together all kinds of writing about and around Live Art, The Live Art Almanac is both a useful resource and a great read for artists, writers, students and others interested in the field of interdisciplinary, performance-based art. The Live Art Almanac Volume 4 is? a collection of 'found' writings about and around Live Art that were originally published, shared, sent, spread and read between January 2012 and December 2014. Selected through recommendations and an open call for submissions, Volume 4 reflects the dynamic, international contexts that Live Art and radical performance-based practices occupy. Live Art is experiencing a huge ?surge in interest with major museums embracing this disparate area of practice, formerly cult artists becoming household names, and everyone from Shia LaBeouf, Lady Gaga and Jay Z trying to get in on the action. Reflecting the diversity of approaches and key developments from the last few years, Volume 4 is grouped into seven loosely themed sections: Locating Performance; Performance Under Attack; Speaking Up/Speaking Out; Show Me the Money; High Art in Low Places; Reviews; and Dearly Departed. This volume includes writings by,? and about: Ai Weiwei, Pussy Riot,?Tim Etchells, Karen Finley, Vaginal Davis, Ann Magnuson, Shaheen Merali, Jennifer Doyle, Marilyn Arsem, Guy Brett, Nigel Charnock, Claire Bishop, Bryony Kimmings, Matthew Barney, Coco Fusco, Stuart Hall, Miley Cyrus, Petr Pavlensky, Reverend Billy, Ron Athey, Mike Kelley, Oreet Ashery, CHRISTEENE, Marcia Farquhar, Morgan Quaintance, Adrian Howells, Amelia Abraham, Brian Boucher, Rose Finn-Kelcey, Mat Fraser, José Esteban Muñoz, Kembra Pfahler, Hennessy Youngman, Joan Rivers, Mykki Blanco, Monica Ross, Wu Tsang, boychild, Wendy Houstoun, the vacuum cleaner and many more. The Live Art Almanac Volume 4 is published by Live Art Development Agency and Oberon Books., Brings together the year's most exciting work in the field, from the Director of the Live Art Development Agency.
LC Classification NumberNX456.5.P38L5 2016

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