Cambridge History of Science Fiction, Hardcover, Gerry Canavan & Carl Link - NEW

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“Bending in Cover”
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Item specifics

Condition
Like New
A book that looks new but has been read. Cover has no visible wear, and the dust jacket (if applicable) is included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear. See the seller’s listing for full details and description of any imperfections. See all condition definitionsopens in a new window or tab
Seller Notes
“Bending in Cover”
ISBN
9781107166097
Subject Area
Literary Criticism
Publication Name
Cambridge History of Science Fiction
Publisher
Cambridge University Press
Item Length
9.3 in
Subject
Science Fiction & Fantasy, European / English, Irish, Scottish, Welsh
Publication Year
2019
Type
Textbook
Format
Hardcover
Language
English
Item Height
2 in
Author
Eric Carl Link
Item Weight
45.2 Oz
Item Width
6.3 in
Number of Pages
836 Pages
Category

About this product

Product Identifiers

Publisher
Cambridge University Press
ISBN-10
1107166098
ISBN-13
9781107166097
eBay Product ID (ePID)
22038779319

Product Key Features

Number of Pages
836 Pages
Language
English
Publication Name
Cambridge History of Science Fiction
Publication Year
2019
Subject
Science Fiction & Fantasy, European / English, Irish, Scottish, Welsh
Type
Textbook
Subject Area
Literary Criticism
Author
Eric Carl Link
Format
Hardcover

Dimensions

Item Height
2 in
Item Weight
45.2 Oz
Item Length
9.3 in
Item Width
6.3 in

Additional Product Features

Intended Audience
College Audience
LCCN
2018-012832
TitleLeading
The
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
809.3/8762
Table Of Content
Dedication; Contributors; On not defining science fiction: an introduction Eric Carl Link and Gerry Canavan; Part I. Before the New Wave: 1. Science fiction before science fiction: ancient, medieval, and early modern science fiction Ryan Vu; 2. Interrelations: science fiction and the Gothic Roger Luckhurst; 3. European science fiction in the nineteenth century Terry Harpold; 4. Inventing new worlds: the age of manifestos and utopias Rhys Williams; 5. War machines and child geniuses: American Edisonades Nathaniel Williams; 6. Afrofuturism in the nineteenth and twentieth centuries W. Andrew Shephard; 7. Science fiction, modernism, and the avant-garde Paul March-Russell; 8. The Gernsback years: science fiction and the pups (1920s-30s) Brooks Landon; 9. Astounding stories: John W. Campbell and the Golden Age, 1938-50 Michael R. Page; 10. Science fiction in Continental Europe before World War Two Salvatore Proietti; 11. Rise of the Supermen: science fiction during World War II Andrew Pilsch; 12. Utopia ...: science fiction in the 1950s and 1960s Malisa Kurtz; 13. ... or bust: science fiction and the bomb (1945-60) Brent Ryan Bellamy; 14. Women in the Golden Age of science fiction Jane Donawerth; 15. Better living through chemistry: science fiction and consumerism in the Cold War Lee Konstantinou; 16. 'The Golden Age of science fiction is twelve': children's and young-adult science fiction into the 1980s Michael Levy; 17. Spectacular horizons: the birth of science fiction film, television, and radio, 1900-59 Sean Redmond; 18. Fandom and fan culture in the Golden Age and beyond Karen Hellekson; 19. Science fiction and its critics Rob Latham; Part II. The New Wave: 20. Riding the new wave Andrew M. Butler; 21. New wave science fiction and the counterculture Shannon Davies Mancus; 22. Science fiction film, television, and music during the new wave, 1960-80 Jeffrey Hicks; 23. Science fiction, gender, and sexuality in the new wave Lauren J. Lacey; 24. Shestidesyatniki: the conjunction of inner and outer space in Eastern European science fiction Larisa Mikhaylova; 25. Afrofuturism in the new wave era Mark Bould; 26. New wave science fiction and the Vietnam War David M. Higgins; 27. New wave science fiction and the dawn of the environmental movement Rebecca Evans; 28. Stagflation, new wave, and the death of the future Greg Conley; 29. Science fiction in the academy in the 1970s Ritch Calvin; Part III. After the New Wave: 30. The birth of the science fiction franchise Stefan Rabitsch and Michael Fuchs; 31. Science fiction and postmodernism (1980s-90s) Phillip E. Wegner; 32. Cyberpunk and post-cyberpunk Graham J. Murphy; 33. Science fiction film and television in the 1980s and 1990s Nicole de Fee; 34. 'Strangers to ourselves': gender and sexuality in recent science fiction Veronica Hollinger; 35. Contemporary science fiction and Afrofuturism Isiah Lavender, III; 36. Science fiction and the revenge of nature: environmentalism (1990s-2010s) Eric C. Otto; 37. Science fiction and the return of Empire: global capitalism, Tom Cruise, and the War on Terror (2000s-2010s) Dan Hassler-Forest; 38. Comic books from the 1980s to the 2010s Aaron Kashtan; 39. Video games and virtual lives: science fiction gaming (1980s-2010s) Pawel Frelik; 40. Twenty-first century Chinese science fiction on the rise: anti-authoritarianism and dreams of freedom Hua Li; 41. Ciencia ficcion/ficcao cientifica from Latin America Rachel Haywood Ferreira; 42. Science fiction and the Global South Hugh Charles O'Connell; 43. Science fiction film and television of the twenty-first century Sherryl Vint; 44. Dystopian futures and utopian presents in contemporary young adult science fiction Rebekah Sheldon; 45. Convergence culture: science fiction fandom today Paul Booth; 46. Theorizing science fiction: science fiction studies since 2000 John Rieder; Select bibliography; Index.
Synopsis
Global in perspective and transmedia in approach, The Cambridge History of Science Fiction provides the first comprehensive history of science fiction literature, film, television, and culture from its ancient and medieval influences through the twenty-first century., The first science fiction course in the American academy was held in the early 1950s. In the sixty years since, science fiction has become a recognized and established literary genre with a significant and growing body of scholarship. The Cambridge History of Science Fiction is a landmark volume as the first authoritative history of the genre. Over forty contributors with diverse and complementary specialties present a history of science fiction across national and genre boundaries, and trace its intellectual and creative roots in the philosophical and fantastic narratives of the ancient past. Science fiction as a literary genre is the central focus of the volume, but fundamental to its story is its non-literary cultural manifestations and influence. Coverage thus includes transmedia manifestations as an integral part of the genre's history, including not only short stories and novels, but also film, art, architecture, music, comics, and interactive media.
LC Classification Number
PN3433.5.C36 2018

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