Film, Philosophy, and Reality by Andersen, Nathan

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Item specifics

Condition
Good: A book that has been read but is in good condition. Very minimal damage to the cover including ...
ISBN
9780415742122
Subject Area
Philosophy, Performing Arts
Publication Name
Film's Philosophy, and Reality : Ancient Greece to Godard
Publisher
Routledge
Item Length
9.6 in
Subject
Film / General, General
Publication Year
2019
Type
Textbook
Format
Trade Paperback
Language
English
Item Height
0.5 in
Author
Nathan Andersen
Item Weight
13.6 Oz
Item Width
6.9 in
Number of Pages
204 Pages
Category

About this product

Product Identifiers

Publisher
Routledge
ISBN-10
0415742129
ISBN-13
9780415742122
eBay Product ID (ePID)
10038293880

Product Key Features

Number of Pages
204 Pages
Language
English
Publication Name
Film's Philosophy, and Reality : Ancient Greece to Godard
Subject
Film / General, General
Publication Year
2019
Type
Textbook
Subject Area
Philosophy, Performing Arts
Author
Nathan Andersen
Format
Trade Paperback

Dimensions

Item Height
0.5 in
Item Weight
13.6 Oz
Item Length
9.6 in
Item Width
6.9 in

Additional Product Features

Intended Audience
College Audience
LCCN
2018-040796
Reviews
"Striking an excellent balance between complexity and clarity, this book accomplishes something badly needed in the field, combining philosophical background with the basics of film analysis to elucidate how philosophy might inform our understanding of moving-image texts. Its excellent prose style, engaging authorial tone, and impressive ability to make complex concepts accessible, makes this an excellent and significant book for film-philosophy readers from any background." Hunter Vaughan, Oakland University, USA "Nathan Andersen's Film, Philosophy, and Reality is a wonderfully engaging historicalintroduction to philosophy and film theory. Focusing on the relationship between appearance and reality, he elaborates the philosophical kinship between thought and image with skill and insight. His explorationof Godard's Breathless from metaphysical and existential perspectives is excellent." Robert Sinnerbrink, Macquarie University, Australia, "Striking an excellent balance between complexity and clarity, this book accomplishes something badly needed in the field, combining philosophical background with the basics of film analysis to elucidate how philosophy might inform our understanding of moving-image texts. Its excellent prose style, engaging authorial tone, and impressive ability to make complex concepts accessible, makes this an excellent and significant book for film-philosophy readers from any background." Hunter Vaughan, Oakland University, USA
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
791.4301
Table Of Content
Contents Acknowledgements Preface Introduction Part One: Philosophy and film Chapter 1. What is philosophy? Philosophical questions Philosophy, myth, and religion The ancient quarrel Why and how to do philosophy Film's philosophical affinities Chapter 2. What is film? Film industry Film production The audience Formal analysis Genre, story, and representation Part Two: Appearance and reality Chapter 3. The appearance of reality -- Arrival of the Train Film theories and philosophy Mistaking film for reality The nature and variety of appearances The reality of cinematic appearances Cinema and reality Human reality and appearances Chapter 4. The philosophy of appearance A history of metaphysics: from substances to subjects The metaphysics of appearance Film and metaphysics Part Three: Breathless metaphysics Introduction Chapter 5. Cinema and reality Continuity and rupture Cinema and reality Screening subjectivity, intersubjectivity, and objectivity Chapter 6. Film techniques and philosophy Metaphysics and the jump cut Morality in a tracking shot Last breath: authenticity and death Conclusion Suggested films Suggested readings Glossary
Synopsis
Film, Philosophy, and Reality: Ancient Greece to Godardis an original contribution to film-philosophy that shows how thinking about movies can lead us into a richer appreciation and understanding of both reality and the nature of human experience. Focused on the question of the relationship between how things seem to us and how they really are, it is at once an introduction to philosophy through film and an introduction to film through philosophy. The book is divided into three parts. The first is an introduction to philosophy and film, designed for the reader with little background in one or the other subject. The second examines the philosophical importance of the distinction between appearance and reality, and shows that reflection upon this distinction is naturally provoked by the experience of watching movies. The final part takes a close and careful look at the style and techniques of Jean-Luc Godard's groundbreaking film Breathless in order to illustrate how such themes can be explored cinematically . The book addresses topics such as: Film: what it is and how to understand it The methods and concerns of philosophy The nature of cinematic appearances The history of metaphysics The relationship between cinema and life The philosophical relevance of film techniques. With a glossary of key thinkers, terms, and concepts, as well as sections on suggested films and further reading, this textbook will appeal to lecturers and students in undergraduate philosophy and film courses, and in courses focused on Philosophy of Film, Philosophy and Film, or Film-Philosophy., Film, Philosophy, and Reality: Ancient Greece to Godard is an original contribution to film-philosophy that shows how thinking about movies can lead us into a richer appreciation and understanding of both reality and the nature of human experience. Focused on the question of the relationship between how things seem to us and how they really are, it is at once an introduction to philosophy through film and an introduction to film through philosophy. The book is divided into three parts. The first is an introduction to philosophy and film, designed for the reader with little background in one or the other subject. The second examines the philosophical importance of the distinction between appearance and reality, and shows that reflection upon this distinction is naturally provoked by the experience of watching movies. The final part takes a close and careful look at the style and techniques of Jean-Luc Godard's groundbreaking film Breathless in order to illustrate how such themes can be explored cinematically . The book addresses topics such as: Film: what it is and how to understand it The methods and concerns of philosophy The nature of cinematic appearances The history of metaphysics The relationship between cinema and life The philosophical relevance of film techniques. With a glossary of key thinkers, terms, and concepts, as well as sections on suggested films and further reading, this textbook will appeal to lecturers and students in undergraduate philosophy and film courses, and in courses focused on Philosophy of Film, Philosophy and Film, or Film-Philosophy.
LC Classification Number
PN1995.A4875 2019

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