Negro Folk-Songs (Dover Books On Music: Folk Songs) - Very Good

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Item specifics

Condition
Very Good: A book that does not look new and has been read but is in excellent condition. No obvious ...
ISBN
9780486418803
Book Title
Negro Folk-Songs
Book Series
The Hampton Ser.
Publisher
Dover Publications, Incorporated
Item Length
9.2 in
Publication Year
2001
Format
Trade Paperback
Language
English
Author
Natalie Curtis Burlin
Genre
Music, Social Science
Topic
Genres & Styles / Folk & Traditional, Ethnomusicology, Ethnic, Ethnic Studies / African American Studies
Item Weight
10.3 Oz
Item Width
6.5 in
Number of Pages
176 Pages
Category

About this product

Product Identifiers

Publisher
Dover Publications, Incorporated
ISBN-10
0486418804
ISBN-13
9780486418803
eBay Product ID (ePID)
1963849

Product Key Features

Book Title
Negro Folk-Songs
Number of Pages
176 Pages
Language
English
Topic
Genres & Styles / Folk & Traditional, Ethnomusicology, Ethnic, Ethnic Studies / African American Studies
Publication Year
2001
Genre
Music, Social Science
Author
Natalie Curtis Burlin
Book Series
The Hampton Ser.
Format
Trade Paperback

Dimensions

Item Weight
10.3 Oz
Item Length
9.2 in
Item Width
6.5 in

Additional Product Features

Intended Audience
Trade
Series Volume Number
Bks. I-IV
Number of Volumes
4 vols.
Synopsis
This collection of Negro folk songs represents a faithful effort to place on paper a precise record of old traditional plantation songs, exactly as they were sung by black students at Virginia's Hampton Normal and Agricultural Institute. Dedicated to the education of former slaves, this nineteenth-century establishment was home to some 900 students from all parts of the United States. The songs were compiled by musicologist Natalie Curtis-Burlin, whose brilliant and careful notation presents a vivid transcription of actual performance. Included here are precise scores of nineteen spirituals, work-songs, and play-songs in four sections, each notated for male quartet, with a piano reduction of the vocal parts. From such spirituals as "Go down, Moses," "Couldn't hear nobody pray," "O ev-ry time I feel de spirit," and "Good news, chariot's comin'!" to more secular melodies such as "Cott'n-pickin' Song," "Hammerin' Song," "Liza-Jane," and "Lullaby," each piece is preceded by a detailed analysis of the music. In addition, all four sections feature thorough, engaging introductions that discuss the social context of the times, the people, and their music. Students, musicians, and musicologists interested in the priceless contributions of African Americans to the folk music of the United States will treasure this unique volume.

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