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JUDD by Erica Cooke (English) Hardcover Book
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eBay item number:175848009674
Item specifics
- Condition
- Country of Origin
- United States
- Personalize
- No
- Type
- Does not apply
- Era
- 2000s
- ISBN-13
- 9781633450325
- Signed
- No
- Narrative Type
- Nonfiction
- Personalized
- No
- Original Language
- English
- Inscribed
- No
- Vintage
- No
- ISBN
- 9781633450325
- Book Title
- Judd
- Publisher
- Museum of Modern Art
- Item Length
- 11.2 in
- Publication Year
- 2020
- Format
- Hardcover
- Language
- English
- Illustrator
- Yes
- Item Height
- 1.5 in
- Genre
- Art
- Topic
- Sculpture & Installation, Collections, Catalogs, Exhibitions / General
- Item Weight
- 62.5 Oz
- Item Width
- 9.5 in
- Number of Pages
- 288 Pages
About this product
Product Identifiers
Publisher
Museum of Modern Art
ISBN-10
1633450325
ISBN-13
9781633450325
eBay Product ID (ePID)
23038556608
Product Key Features
Book Title
Judd
Number of Pages
288 Pages
Language
English
Topic
Sculpture & Installation, Collections, Catalogs, Exhibitions / General
Publication Year
2020
Illustrator
Yes
Genre
Art
Format
Hardcover
Dimensions
Item Height
1.5 in
Item Weight
62.5 Oz
Item Length
11.2 in
Item Width
9.5 in
Additional Product Features
Intended Audience
Trade
LCCN
2019-956136
Dewey Edition
23
Reviews
Published to accompany the first US retrospective exhibition of Donald Judd s sculpture in more than 30 years, Judd explores the work of a landmark artist who, over the course of his career, developed a material and formal vocabulary that transformed the field of modern sculpture., While there's admirable integrity in Judd's detailed specifications regarding color, material, process, and exhibition methods, there's also a supreme fussiness and self-importance that touches everything the man ever made. The work wants to argue with whatever qualms you might have about it, and you get the feeling that the work would probably win., Judd s minimalism is the ubiquitous dark design energy of everyday modern life. Always there, even if you never consciously recognize it., The jacked-up speed of current cultural consumption had made the challenges his work presents more urgent than ever., Concise and focused, MoMA s Judd decidedly places sculpture at the center of his practice, which is too often reduced to minimalism a term that, much like sculpture, he resisted. From early paintings executed in the early 1960s to the untitled metallic sculptures for which he is most often associated, the exhibition emphasizes the artist s predilection for experimentation, highlighting the various ways through which he used form, materials, and surrounding environments to reshape traditional artistic practices., That aesthetic synergy between the work of Judd, who died in 1994, and MoMA brings a certain piquancy to the museum's current Judd retrospective, the first anywhere in more than 30 years. The museum has changed--there have been three renovations and expansions since the '70s--and perhaps so, too, has our understanding of Judd's steely, boxy objects., Judd's minimalism is the ubiquitous dark design energy of everyday modern life. Always there, even if you never consciously recognize it., That aesthetic synergy between the work of Judd, who died in 1994, and MoMA brings a certain piquancy to the museum s current Judd retrospective, the first anywhere in more than 30 years. The museum has changed there have been three renovations and expansions since the 70s and perhaps so, too, has our understanding of Judd s steely, boxy objects., [Judd's] art, once thought to be too severe to be beautiful, can now be seen to offer pleasures, visual and conceptual, that any audience with open eyes can relate too..., Works by Judd are almost routinely beautiful, but coldly and even imperiously so, as if their quality were none of your business., Judd was committed to abstraction and democracy. His work praises human labor and industrial craftsmanship., While there s admirable integrity in Judd s detailed specifications regarding color, material, process, and exhibition methods, there s also a supreme fussiness and self-importance that touches everything the man ever made. The work wants to argue with whatever qualms you might have about it, and you get the feeling that the work would probably win., The companion catalog to MoMA s retrospective of American sculptor Donald Judd the first in 30 years is a stunning tribute to the late artist., a comprehensive overview of the divisive artist's grasp on abstraction, space, interpretation and the abolition of illusion., The first U.S. exhibition of [Judd s] sculptures in more than thirty years. His minimalist forms and surprising use of materials still challenge our perceptions of what indeed might be considered contemporary sculpture., The first U.S. exhibition of [Judd's] sculptures in more than thirty years. His minimalist forms and surprising use of materials still challenge our perceptions of what indeed might be considered contemporary sculpture., The companion catalog to MoMA's retrospective of American sculptor Donald Judd the first in 30 years--is a stunning tribute to the late artist., Published to accompany the first US retrospective exhibition of Donald Judd's sculpture in more than 30 years, Judd explores the work of a landmark artist who, over the course of his career, developed a material and formal vocabulary that transformed the field of modern sculpture., Serves up a master class in the career of the man credited with putting Marfa on the map and transforming the field of modern sculpture., There couldn t be a better time to revisit an artist who doggedly confronted form, presence, and politics, both on the page and in real space., When Judd s works are displayed en masse and given enough space, Ms. Temkin argues, it s possible to see the visual power and the extraordinary variety of his work..., Concise and focused, MoMA's "Judd" decidedly places sculpture at the center of his practice, which is too often reduced to minimalism--a term that, much like "sculpture," he resisted. From early paintings executed in the early 1960s to the untitled metallic sculptures for which he is most often associated, the exhibition emphasizes the artist's predilection for experimentation, highlighting the various ways through which he used form, materials, and surrounding environments to reshape traditional artistic practices., When Judd's works are displayed en masse and given enough space, Ms. Temkin argues, it's possible to see the visual power and the extraordinary variety of his work..., a comprehensive overview of the divisive artist s grasp on abstraction, space, interpretation and the abolition of illusion., There couldn't be a better time to revisit an artist who doggedly confronted form, presence, and politics, both on the page and in 'real space.
Dewey Decimal
709.2
Synopsis
The first retrospective in 30 years on American maverick Donald Judd s minimalist sculpture, architecture and furniture Published to accompany the first US retrospective exhibition of Donald Judd s sculpture in more than 30 years, Judd explores the work of a landmark artist who, over the course of his career, developed a material and formal vocabulary that transformed the field of modern sculpture. Donald Judd was among a generation of artists in the 1960s who sought to entirely do away with illusion, narrative and metaphorical content. He turned to three dimensions as well as industrial working methods and materials in order to investigate real space, by his definition. Judd surveys the evolution of the artist s work, beginning with his paintings, reliefs and handmade objects from the early 1960s; through the years in which he built an iconic vocabulary of works in three dimensions, including hollow boxes, stacks and progressions made with metals and plastics by commercial fabricators; and continuing through his extensive engagement with color during the last decade of his life. This richly illustrated catalog takes a close look at Judd s achievements, and, using newly available archival materials at the Judd Foundation and elsewhere, expands scholarly perspectives on his work. The essays address subjects such as his early beginnings in painting, the fabrication of his sculptures, his site-specific pieces and his work in design and architecture. Donald Judd (1928 94) began his professional career working as a painter while studying art history and writing art criticism. One of the foremost sculptors of our time, Judd refused this designation and other attempts to label his art: his revolutionary approach to form, materials, working methods and display went beyond the set of existing terms in midcentury New York. His work, in turn, changed the language of modern sculpture., The first retrospective in 30 years on American maverick Donald Judd's minimalist sculpture, architecture and furniture Published to accompany the first US retrospective exhibition of Donald Judd's sculpture in more than 30 years, Judd explores the work of a landmark artist who, over the course of his career, developed a material and formal vocabulary that transformed the field of modern sculpture. Donald Judd was among a generation of artists in the 1960s who sought to entirely do away with illusion, narrative and metaphorical content. He turned to three dimensions as well as industrial working methods and materials in order to investigate "real space," by his definition. Judd surveys the evolution of the artist's work, beginning with his paintings, reliefs and handmade objects from the early 1960s; through the years in which he built an iconic vocabulary of works in three dimensions, including hollow boxes, stacks and progressions made with metals and plastics by commercial fabricators; and continuing through his extensive engagement with color during the last decade of his life. This richly illustrated catalog takes a close look at Judd's achievements, and, using newly available archival materials at the Judd Foundation and elsewhere, expands scholarly perspectives on his work. The essays address subjects such as his early beginnings in painting, the fabrication of his sculptures, his site-specific pieces and his work in design and architecture. Donald Judd (1928-94) began his professional career working as a painter while studying art history and writing art criticism. One of the foremost sculptors of our time, Judd refused this designation and other attempts to label his art: his revolutionary approach to form, materials, working methods and display went beyond the set of existing terms in midcentury New York. His work, in turn, changed the language of modern sculpture., This exhibition will be the first American retrospective of Donald Judd's work in thirty years. Due to the unprecedented archival access granted by the Judd Foundation to MoMA's curatorial team, this show presents a unique opportunity to assess Judd's career anew. Most writings to date have dwelled on Judd's place within Minimalism and drawn heavily on biography as well as the artist's own statements on his work. With an aim to counter the mythologizing and interpretation-heavy literature that still prevails in Judd scholarship, this book will marshal in-depth research in order to expand readers' knowledge of the revolutionary nature of his working method. The essays included will delve into the specifics of Judd's industrial materials, fabrication processes, exhibition histories, and activities related to design and architecture.
LC Classification Number
NB237.J76A4 2020
Item description from the seller
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- Mar 04, 2021
Excellent book
Verified purchase: YesCondition: NewSold by: alibrisbooks
- Feb 23, 2021
go for it !
Verified purchase: YesCondition: NewSold by: alibrisbooks
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