Notes
Meet the Artists Wendy Hymes holds BA, MM and DMA degrees in music from Principia College, Indiana University and Louisiana State University respectively. Her principal flute teachers have been Marie Garritson Jureit, Jacques Zoon and Katherine Kemler. She has played with Synchronia (a contemporary American music ensemble), St. Louis Philharmonic, Saint Louis Symphony Orchestra, Louisiana Philharmonic Orchestra as well as chamber music with leading soloists such as violinist Rachel Barton, the late organist Lucius Weathersby, with whom she collaborated on the Spiritual Fantasy album (Albany Records). Ms. Hymes is known to exert definitive interpretations to standard repertoire from the Baroque era to 20th-century composers. She sets the pace in intercultural music, especially those by non-European composers from Africa, Latin America and the Caribbean. She has given over 30 world premieres, including regular feature at the Compositions in Africa & the Diaspora symposia and the Festivals of African & African American Music., and recent Jubilee Celebration Festival in Accra, Ghana. Her doctoral dissertation entitled African Art Music for Flute: Selected Works by African Composers provided the initial inspiration for this CD, and her recent article New Horizons: The World of African Art Music for Flute in the Winter 2008 issue of the Flutist Quarterly (a journal of the National Flute Association) is a continuation of her efforts to give voice to flute repertoire from other parts of the world. Darryl Hollister received his B.M. and MM from Michigan State University and the New England Conservatory of Music, respectively. He has studied with Ralph Votapek, Deborah Moriarty, and Patricia Zander. He actively serves as accompanist for the Dedham Choral Society, Coro Allegro, the Framingham Heritage Chorale, and Commonwealth School Chorus and Chorale, the Boston College Chorale, Nashua Choral Society, and the Boston Concert Opera. A champion of new music and works by African-descent composers, Mr. Hollister has premiered numerous works, including Gyimah Labi's Baptism of Fire: Symphony Concertante for Three Pianos and Orchestra, Dialects in African Pianism, The Spring of Esentre Paul Konye's Concertino Africana for Piano and Orchestra, Gary Nash's Three Ivory Magnolia Fantasies, and of course, the works on this CD. His piano recitals have been acclaimed at Harvard University, Cambridge University and the University of London, as well as the Kennedy Center. Richard Moore (Narrator in Just Before Dawn) Richard Moore is a retired professor of English. He performs regularly with the New Orleans Opera Chorus. He is an avid lover of classical music and enjoys reading poetry. Liner Notes by Dr. Wendy Hymes: The works presented here offer us a glimpse of the spirit and traditional musics of Africa. The composers' diverse training backgrounds have led each to connect with different African and Western musics, but each has succeeded in finding their own unique voice and how to connect with diverse audiences on multiple continents. While some performers find this cultural duality fascinating, it is also a formidable barrier to many performers. Though written for western instruments using western notation, as in contemporary compositions that employ extended techniques, the performer must familiarize himself/herself with new elements, such as a barrage of polyrhythm, new melodic and harmonic sensibilities as well as the foreign cultural traditions that influenced the composer which are integral to the piece. The listener will benefit from reading the background information about the pieces on this CD, and the notes that follow should be pertinent. Another source is the Winter 2008 issue of The Flutist Quarterly (a publication of the National Flute Association). Fred Onovwerosuoke's diverse background gave rise to a varied compositional style. Born in Ghana to Nigerian parents, he hasraveled to more than thirty African countries doing fie
