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TIM EASTON "THE TRUTH ABOUT US" 2001 RADIO STATION MUSIC LIBRARY CD 

TIM EASTON "THE TRUTH ABOUT US" 2001 RADIO STATION MUSIC LIBRARY CD
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Seller assumes all responsibility for this listing.Item number: 330687866770

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Like New: An item that looks as if it was just taken out of shrink wrap. No visible wear, and all facets of ... Read moreabout the condition
Title: The Truth About Us
Duration: Album or EPGenre: Country
Release Date: 01/23/2001Artist: Tim Easton
Record Label: New WestFormat: CD
UPC: 607396602322  

Detailed item info

Album Features
UPC:607396602322
Artist:Tim Easton
Format:CD
Release Year:2001
Record Label:New West
Genre:Country

Track Listing
1. Half a Day
2. Carry Me
3. Downtown Lights
4. Get Some Lonesome
5. Happy Now
6. Bad Florida
7. Soup Can Telephone Game Conversation
8. Out of Your Life
9. I Would Have Married You
10. When the Lights Went Out
11. Don't Walk Alone

Details
Playing Time:48 min.
Contributing Artists:Jay Bennett, Victoria Williams, Petra Haden, Mark Olson
Producer:Joe Chiccarelli, Joe Chicarelli
Distributor:RED Distribution
Recording Type:Studio
Recording Mode:Stereo
SPAR Code:n/a

Album Notes
Personnel includes: Tim Easton (vocals, 6 & 12-string guitars, harmonica); Jay Bennett (acoustic & electric guitars, piano, Hammond B-3 organ, Mellotron, keyboards); Joe Gore (6-& 12-string guitars, mandolin); Bruce Kaphane (pedal steel guitar); Petra Haden (violin); John Stirratt (bass); Chris Burney (upright bass); Ken Coomer (drums, percusion); Ted Hutt (loops).Engineers: Mike Hagler, Anthony Arvizu, Scott Guiterrez.Recorded at Kingsize Sound Laboratories, Chicago, Illinois, Kingsound & Pictures, Los Angeles, California, Toast Studios, San Francisco, California.Personnel: Ted Hutt (loops).Audio Mixer: Rick Behrens.Recording information: Kingsize Sound Laboratories, Chicago, IL.Photographer: Monica Morant.Arranger: Cameron Strang.Ohio-bred Tim Easton was the frontman for alt-country outfit the Haynes Boys, which mutated into Burn Barrel right around the time Easton's solo career began to blossom. Easton's second outing under his own name, THE TRUTH ABOUT US, retains ties to the singer-songwriter's past (two standout tunes were written by Burn Barrel frontman J.P. Olsen and country-rock touches abound), but it's also a significant step forward.Tape loops and snakey guitar effects adorn "Downtown Lights," and Olsen's "Bad Florida" is backed by semi-psychedelic sheets of sound. The more modern touches blend well with the fingerpicked acoustic guitars and gritty vocals, partly due to the fact that Easton is assisted by members of alt-country modernists Wilco. In the end, though, the focus is on Easton's elliptical, poetic lyrics, and laconic, Townes Van Zandt-like vocals, and the songs make it clear that he's got a lot more going on than many contemporary roots-rockers.

Editorial Reviews
...Showcases an attractive, memorable, singer-songwriter...
Mojo

...A Tweedy-like pop genius....tales of longing and lost love....a supremely talented songwriter...
Magnet (20010401)

3 stars out of 5 - ...Glosses up his small-town sensibilities with a lo-fi production and added muscle from Wilco....The work of a small-town raconteur with a big heart.
Q (20010501)

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THIS CD COMES FROM THE MUSIC LIBRARY OF A NATIONAL RADIO NETWORK WHERE I WAS THE MUSIC AND PROMOTIONS DIRECTOR FOR 18 YEARS. IT IS OPENED BUT UNPLAYED.

 

THERE IS A HOLE IN THE BAR CODE. THIS WAS DONE BY THE RECORD LABEL PRIOR TO MAILING OUT TO RADIO STATIONS.

 

THE ARTWORK/BOOKLET FOR THIS RELEASE IS IN EXCELLENT CONDITION. THE CD HAS NEVER BEEN PLAYED.

 

Tim Easton is a Joshua Tree, California-based American guitarist and singer-songwriter playing rock and roll music.

Biography

Easton was raised in Akron, Ohio, forming the band Kosher Spears while at college. He travelled abroad for a time, busking in London, Paris, Spain, Italy, Yugoslavia, Czechoslovakia, and Ireland, and on his return to the US in the mid-1990s he joined The Haynes Boys. When the band split up, Easton embarked on a solo career, with his debut album, Special 20, released in 1998. He subsequently relocated to California, signed a deal with EMI Publishing, and a record deal with New West Records.

Easton won the 9th Annual Independent Music Awards Vox Pop award for 'Best Americana Song' with "Burgundy Red". His album also won the 9th Annual Independent Music Awards Vox Pop vote for best Album Packaging.

He is married and has a daughter, Ellington.

 

Like the bristly critter of its title, Tim Easton’s album Porcupine has some spikes in its hindquarters. And the Ohio-born, Joshua Tree, California-based singer-songwriter says the primarily aggressive style of the record was definitely by design.

“I wanted to make some noise again,” Easton explains. “I’d been making some sonically conservative albums out here in California, with a little less of that Midwestern bite that was part of the sound I had been making with my band when I was growing up.”

Easton describes Porcupine – his fourth New West Records album, succeeding The Truth About Us (2001), Break Your Mother’s Heart (2003), and Ammunition (2006) -- as “not a ‘coming full circle’ kind of thing, but more the center point of a figure-8 where I am passing back through on my way to many other directions.” The collection reunites him with producers Brad Jones and Robin Eaton, who played an important role in the early stages of his recording career.

“Brad Jones recorded my first album, with the band the Haynes Boys,” Easton recalls. “He called me out of the blue and left a long message on my machine, back in Ohio. He was the first person in the music business that owned a studio and was a producer who reached out to me and said, ‘I want to work with you.’ It was just a matter of time before I got back to him, because he really helped me get started.”

After the Haynes Boys disbanded in the late ‘90s, Jones and Eaton produced Easton’s debut solo album Special 20, issued by Heathen Records in 1999 and re-released by New West in 2001.

Easton thought that the production team would be the ideal collaborators to midwife the punchier album he envisioned. “I knew I wanted to make a louder record, right off the bat. I think that’s a phase for every songwriter who’s involved in both folk music and rock ‘n’ roll – they make the loud ones and the quiet ones. Steve Earle, who’s a great example and influence, is like that. He’s quiet, then loud.”

The core band for the Porcupine sessions was convened at Club Roar, Eaton’s Nashville studio, which he built next door to Jones’ facility Alex the Great, where Special 20 was cut a decade ago – and where the musicians slept, and conducted some informal nighttime recording dates, during their Music City stay.

Sharing guitar chores with Easton was Kenny Vaughn, the instrumental spark plug of Marty Stuart’s group the Fabulous Superlatives. Easton says of the virtuoso musician, who was previously the guitarist in his friend Lucinda Williams’ band, “I knew right away, before I even called Brad and Robin, that I wanted Kenny Vaughn to do this. Brad and I had discussed this across the years. That guy can play anything. He’s got a lot of style and a lot of knowledge of the history of music. He can play any style well, and learn fast. When Kenny would ask me what I want for a particular song, I would just say ‘have a good time’”

In the rhythm section, Easton says, “I wanted to bring that Central Ohio sound back into my thing.” The drum chair was taken by Sam Brown, formerly with the ferocious Columbus punk band the New Bomb Turks. The bassist was another familiar face: Matt Surgeson, the bassist of the Haynes Boys, who also worked on Special 20.

Basic tracks for Porcupine were recorded live, with few songs requiring more than three complete takes. Columbus violinist Megan Palmer arranged and recorded the album’s string parts in close collaboration with Jones. “That was a really cool part of recording – watching those two stack the strings,” Easton says. “I didn’t know Brad knew all those words: ‘Play it fortissimo, with a little bit of adagio.’ Damn!”

The lone bit of off-site recording, for the song “The Young Girls,” was performed by the soulful Memphis diva Susan Marshall, with Easton serving as hands-on engineer. “The album was done, so I was driving back to California, and three hours after I left Nashville I was in Memphis at Susan Marshall’s house. Jeff Powell, her husband, is a Grammy-winning engineer, and luckily he was there, because I was new on my Pro Tools. I had a laptop and a Mojave mic that [Los Angeles producer] Dusty Wakeman had set me up with. There are four Susan Marshalls stacked on there. It’s beautiful.”

While there are songs on Porcupine – “The Young Girls,” “A Stone’s Throw Away,” “Long Cold Night in Bed” and the pop-folk jangle of "Seventh Wheel” – that will appeal to fans of the acoustic-based Ammunition, numbers like “Burgundy Red,” “Broke My Heart,” “Get What I Got,” and “Baltimore” bristle with the rock ‘n’ roll energy that Easton heard in his head as he prepared to make the album. He chalks up these bracing results to the frankly old-fashioned way the record was made.

“There’s a certain satisfaction to getting all the sounds down with the band in the studio in one place at one time to make the song happen,” he says. “I love the Beatles as much as anybody, and overdubs are extremely fun to do, but when you have a great band to get the meat and potatoes down quickly, without a click track and with just the feel and energy of human beings making music, then you are bound to be more satisfied as a listener, too.” You will undoubtedly agree.

 

 

HERE ARE A COUPLE OF CUSTOMER REVIEWS FROM AMAZON.COM

 

5.0 out of 5 stars Tim takes his music to another dimension, March 2, 2001
By 
Matthew Applegate (Pittsburgh, Pennsylvania United States) - See all my reviews
This review is from: Truth About Us (Audio CD)

I've been a fan of Tim Easton's music for years. I've followed his career since his lead with the Haynes Boys while I lived in Columbus, Ohio where he got his start and watched him develope into an even better solo act. He always had the ability to draw in a crowd and mesmorize them. When I first picked up Truth About Us, I was slightly disappointed as I expected the songs to have more of that gritty, twangy feel that Special 20 so gracefully wore. But pay no mind, this album has Tim evolving into a true master of the song. Upon each listening, I found myself drawn deeper and deeper into his bittersweet lyrics and inventful song structure. Deceptively simple, each song slowly unveils layer upon layer of sweet sound, complements of Wilco on backup. Reminescent of the Beach Boys in feel but not structure or content, Truth... serves you soulful, sometimes sorrowful, lyrics coated in a sweet, gooey substance-something like Matthew Sweet at his best- in a cowboy hat. Special 20 will remain as one of my all-time favorites, but Truth... has carved out a different, but equal place in my heart. In hindsight, I would probably be a bit disappointed if Tim didn't go beyond the sound in Special 20. Unlike artists that search for a new sound deliberately to avoid being type cast, this disk is a natural evolutionary process. You must get it-and pickup Special 20 while your at it.

 

5.0 out of 5 stars Its all about the lyrics... well... and the guitar too., January 2, 2003
By A Customer
This review is from: Truth About Us (Audio CD)

Tim Easton has a talent for capturing a moment in time and reducing it to just a few perfect words. He is able to pick an emotion a describe it the same way you'd tell a good story. And while much of the lyrics seem to be about a troubled relationship or some random turmoil, you get the feeling that he's still trying to preserve at least a little bit of the hope from better days. Adding to the lyrics is the music itself. Compared to his last album, Special 20, The Truth About Us has a melancholy edge. Perhaps this is solely Tim's artistic direction, but I can't help but think that it is also the influence of former Wilco member, Jay Bennet. Jay's got a gift for vividly expressing emotions through music. His talent is clearly evident in his contributions to Yankee Hotel Foxtrot (Wilco) and also seems to be evident here. At the same time, don't expect a Wilco album. Tim's own style and expression isn't lost here and that's a very good thing. I can't guarantee that everyone will like Easton's music as much as I do, but do yourself a favor and give it a listen. And if your ever get a chance to see him play a live show, take it.

 

 

I DO COMBINE SHIPPING……….

 

 THIS CD IS OPENED BUT UNPLAYED. CANADIAN MAIL RATES DIFFER, IF YOU WIN FROM THERE, LET ME INVOICE YOU BEFORE YOU PAY. THE CD SURFACE AND ARTWORK/BOOKLET ARE IN EXCELLENT CONDITION UNLESS OTHERWISE NOTED. CHECK OUT MY OTHER AUCTIONS FOR MORE ITEMS FROM THE MUSIC LIBRARY. I DO COMBINE SHIPPING ON MULTIPLE WINS, PLEASE  ADD .50 PER CD IN THE U.S. AND $2.00 FOR EACH INTERNATIONAL CD . I ALSO WILL REFUND THE DIFFERENCE ON OVERSEAS SHIPPING & HANDLING IF IT IS MUCH LESS THAN WHAT YOU PAID.

 

CHECK OUT MY OTHER AUCTIONS

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