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Details about  Zorro The Avenger Original 1958 Movie Poster Disney Guy Williams 40x30 RARE

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Zorro The Avenger Original 1958 Movie Poster Disney Guy Williams 40x30 RARE
Zorro-The-Avenger-Original-1958-Movie-Poster-Disney-Guy-Williams-40x30-RARE
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Used
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Mar 08, 2012
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US $499.00
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Item location:
Anaheim, California, United States

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170648853607
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Last updated on  Jan 13, 2012 12:55:18 PST  View all revisions

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Used: An item that has been used previously. See the seller’s listing for full details and description of ... Read moreabout the condition
 


Zorro The Avenger Original 1958 Movie Poster 40x30 RARE












  • Original!
  • RARE EUROPEAN PRINT!
  • Walt Disney Studios
  • Buena Vista
  • Guy Williams
  • Framed Size Approximately 40.5"x30"
  • Custom Aaron Brothers Frame
  • $5 included in shipping for new frame box
  •  
  • I can remove it from the frame and ship it for a much lower cost but in my opinion the cost of shipping is worth the frame.

 

Zorro

From Wikipedia, the free encyclopedia

 

Zorro
Capistrano2.jpg
Zorro's debut:
The Curse of Capistrano
Publication information
Publisher Zorro Productions, Inc.
First appearance All-Story Weekly vol. 100 #2 (August 6, 1919)
Created by Johnston McCulley
In-story information
Alter ego - Don Diego (de la) Vega
(original, different successors in different versions)
Abilities Superb athlete, horseman, swordsman, marksman, and unarmed combatant. Well educated, wealthy and cultured nobleman. Master of Stealth. Extensive scientific knowledge and advanced gadgets (depending on the version)

Zorro is a fictional character created in 1919 by New York-based pulp writer Johnston McCulley. The character has been featured in numerous books, films, television series, and other media.

Zorro (Spanish for fox) is the secret identity of Don Diego de la Vega (originally Don Diego Vega), a nobleman and master living in the Spanish colonial era of California. The character has undergone changes through the years, but the typical image of him is a dashing black-clad masked outlaw who defends the people of the land against tyrannical officials and other villains. Not only is he much too cunning and foxlike for the bumbling authorities to catch, but he delights in publicly humiliating those same foes.

Publishing history

Zorro (often called Señor or El Zorro in early stories) debuted in McCulley's 1919 story The Curse of Capistrano, serialized in five parts in the pulp magazine All-Story Weekly.[1] At the denouement, Zorro's true identity is revealed to all.

Douglas Fairbanks and Mary Pickford, on their honeymoon, selected the story as the inaugural picture for their new studio, United Artists, beginning the character's cinematic tradition. The story was adapted as The Mark of Zorro in 1920, which was a success. McCulley's story was re-released by the publisher Grosset & Dunlap under the same title, to tie in with the film.

Due to public demand fueled by the film, McCulley wrote over 60 additional Zorro stories starting in 1922. The last, The Mask of Zorro (not to be confused with the 1998 film), was published posthumously in 1959. These stories ignore Zorro's public revelation of his identity. The black costume that modern audiences associate with the character stems from Fairbanks' smash hit movie rather than McCulley's original story, and McCulley's subsequent Zorro adventures copied Fairbanks's Zorro rather than the other way around. McCulley died in 1958, just as the Disney-produced Zorro television show was becoming phenomenally successful.

Fictional history

The Mark of Zorro, starring Douglas Fairbanks, the first Zorro film and instrumental in the early success of the character

In The Curse of Capistrano Don Diego Vega becomes Señor Zorro in the pueblo of Los Angeles in California "to avenge the helpless, to punish cruel politicians," and "to aid the oppressed." He is the title character, as he is dubbed the "curse of Capistrano."

The story involves him romancing Lolita Pulido, an impoverished noblewoman. While Lolita is unimpressed with Diego, who pretends to be a passionless fop, she is attracted to the dashing Zorro. His rival and antagonist is Captain Ramon. Other characters include Sgt. Pedro Gonzales, Zorro's enemy and Diego's friend; Zorro's deaf and mute servant Bernardo; his ally Fray (Friar) Felipe; his father Don Alejandro Vega; and a group of noblemen (caballeros) who at first hunt him but are won over to his cause.

In later stories McCulley introduces characters such as pirates and Native Americans, some of whom know Zorro's identity.

In McCulley's later stories, Diego's surname became de la Vega. In fact, the writer was wildly inconsistent. The first magazine serial ended with the villain dead and Diego publicly exposed as Zorro, but in the sequel the antagonist was alive, and the next entry had the double identity still secret.

Several Zorro productions have expanded on the character's exploits. Many of the continuations feature a younger character taking up the mantle of Zorro.

Characteristics

In The Curse of Capistrano McCulley describes Diego as "unlike the other full-blooded youths of times"; though proud as befitting his class (and seemingly uncaring about the lower classes), he shuns action, rarely wearing his sword except for fashion, and is indifferent to romance with women. This is, of course, a sham. This portrayal, with minor variations, is followed in most Zorro media.

A notable exception to this portrayal is Disney's Zorro (1957–59), where Diego, instead, appears as a passionate and compassionate crusader for justice—but masquerades as "the most inept swordsman in all of California." (Though he still adapted the more foppish persona early on to convince the then corrupted government officials that he was harmless.) In this show, everyone knows Diego would love to do what Zorro does, but thinks he does not have the skill.

Character motifs

The character's visual motif is typically a black costume with a flowing Spanish cape, a flat-brimmed black gaucho hat or Cordobés, and a black cowl sackcloth mask that covers the top of the head from eye level upwards. In his first appearance, he wears a cloak instead of a cape, and a black cloth veil mask covering his whole face with slits for eyes. Other features of the costume may vary; sometimes black riding boots or bell-bottom trousers, sometimes a vest, a waistsash or riding belt, sometimes a moustache, sometimes not.

His favored weapon is a rapier which he often uses to leave his distinctive mark, a Z made with three quick cuts. He also uses a bullwhip. In his debut, he uses a pistol.

The fox is never depicted as Zorro's emblem, but as a metaphor for the character's wiliness ("Zorro, 'the Fox', so cunning and free..." from the Disney television show theme).

His "heroic pose" consists of rearing on his horse, sword raised high (the logo of Zorro Productions, Inc.

Skills and resources

Zorro (Guy Williams) and Bernardo (Gene Sheldon) in the 1950s Zorro television series

Zorro is an agile athlete and acrobat, using his bullwhip as a gymnastic accoutrement to swing through gaps between city roofs, and is very capable of landing from great heights and taking a fall. Although he is a master swordsman and marksman he has more than once demonstrated his prowess in unarmed combat against multiple opponents.

His calculating and precise dexterity as a tactician has enabled him to use his two main weapons, his sword and bullwhip, as an extension of his very deft hand. He never uses brute strength, more his fox-like sly mind and well-practiced technique to outmatch an opponent.

Some versions of Zorro have a medium-sized dagger tucked in his left boot for emergencies. He has used his cape as a blind, a trip-mat and a disarming tool. Zorro's boots are also sometimes weighted, as is his hat which he has thrown, Frisbee-like, as an efficiently substantial warning to enemies. But more often than not he uses psychological mockery to make his opponents too angry to be coordinated in combat.

Zorro is also a skilled horseman. The name of his jet-black horse has varied through the years. In The Curse of Capistrano it was unnamed. Later versions named the horse Tornado/Toronado or Tempest. In still more versions from time to time, Zorro rides a snowy white horse named Phantom.

McCulley's concept of a band of men helping Zorro is often absent from other versions of the character. An exception is Zorro's Fighting Legion (1939), starring Reed Hadley as Diego. In McCulley's stories Zorro was aided by a deaf mute named Bernardo. In Disney's Zorro television series, Bernardo is not deaf but pretends to be, and serves as Zorro's spy. He is also a capable and invaluable helper for Zorro, even wearing the mask himself occasionally to reinforce his master's charade. The Family Channel's Zorro television series replaces Bernardo with a teenager named Felipe, played by Juan Diego Botto, with a similar disability (his muteness is the result of trauma) and pretense.

Inspirations

Zorro bears some similarities to historical Portuguese bandits[citation needed]. He is often associated with Joaquin Murrieta, the "Mexican and/or Chilean Robin Hood", whose life was fictionalized in an 1854 book by John Rollin Ridge, and in the 1998 film The Mask of Zorro, where Murrieta's (fictional) brother succeeds Diego as Zorro. Other possible inspirations for the character include Robin Hood himself, Reynard the Fox, Salomon Pico, Tiburcio Vasquez, William Lamport (an Irish soldier living in Mexico in the 17th century, whose life was fictionalized by Vicente Riva Palacio and whose biography "The Irish Zorro" was published in 2004) and Yokuts Indian Estanislao, who led a revolt against the Mission San Jose in 1827.

Appearances in media

Books

1959 book

Films

The character has been adapted for over forty films. They include:

Film serials

Television

Comics

Zorro has appeared in many different comic book series over the decades. One version was rendered by Alex Toth for Dell Comics in Four Color magazine starting in 1949 and appearing through the 1950s. Zorro was given his own title in 1959, which lasted 7 more issues and then was made a regular feature of Walt Disney's Comics and Stories (also published by Dell) from #275 to #278. Gold Key Comics began a Zorro series in 1966, but, like their contemporaneous Lone Ranger series, it featured only material reprinted from the earlier Dell comics, and folded after 9 issues, in 1968. The character remained dormant for the next twenty years until it was revived by Marvel Comics in 1990, for a 12-issue tie-in with the Duncan Regehr television series Zorro. Many of these comics had Alex Toth covers.

Over the years, various English reprint volumes have been published. This include but are not limited to:

In 1993 Topps Comics published a 2-issue mini-series Dracula Versus Zorro followed by a Zorro series that ran 11 issues. Topps created Lady Rawhide, a spin-off from the Zorro stories, in two brief series. All of this was written by Don McGregor. He subsequently scripted a miniseries adaptation of The Mask of Zorro film for Dark Horse Comics.

A newspaper daily and Sunday strip were also published in the late 1990s. This was written by McGregor and rendered by Tom Yeates. Papercutz once published a Zorro series and graphic novels as well. This version is drawn in a manga style.

Dynamite Entertainment relaunched the character in 2008 with writer Matt Wagner first adapting Isabel Allende's novel before writing his own stories. The publisher also released an earlier unpublished tale by Don McGregor.

The character also appeared in European comics and is universally beloved in Latin America, usually in licensed, translated reprints of American comics. In the Netherlands, Zorro was drawn by Hans G. Kresse for the weekly Pep.

Stage productions

A musical titled Zorro opened in the West End in 2008. It is directed by Christopher Renshaw, choreographed by Rafael Amargo and features music from the band Gipsy Kings. Directed by Christopher Renshaw, Zorro features the choreography of flamenco dancer Rafael Amargo.

Music

On the commercial release of the Disney series' Zorro theme, the lead vocal was by Henry Calvin, the actor who played Sergeant Garcia on the program.

Henri Salvador had a hit[citation needed] in 1964 with the humorous song "Zorro est arrivé." It tells from a child's point of view how exciting it is whenever a villain threatens to kill a lady in the television series. But every time again, to his relief, the "great and beautiful" Zorro comes to the rescue. An early music video was made at the time.

Alice Cooper's 1982 album Zipper Catches Skin includes the song "Zorro's Ascent" which is about Zorro facing his death.

Computer and video games

Copyright and trademark

The copyright and trademark status of the Zorro character and stories has been disputed.

A company called Zorro Productions, Inc., asserts that it "controls the worldwide trademarks and copyrights in the name, visual likeness and the character of Zorro." It further states that "The unauthorized, unlicensed use of the name, character and/or likeness of 'Zorro' is an infringement and a violation of state and federal laws."

These claims were disputed in the case Sony Pictures Entertainment v. Fireworks Ent. Group. On January 24, 2001, Sony Pictures, TriStar Pictures and Zorro Productions, Inc. sued Fireworks Entertainment, Paramount Pictures, and Mercury Entertainment, claiming that the Queen of Swords television series infringed upon the copyrights and trademarks of Zorro and associated characters. Sony and TriStar had paid licensing fees to Zorro Productions, Inc., related to the 1998 film The Mask of Zorro. Queen of Swords was a 2000-2001 television series set in Spanish California during the early 19th century and featuring a protagonist who wore a black costume with a red sash demonstrating many aspects of the Zorro character including the swordfighting skills of the rapier and dagger, the dagger in the boot, use of a whip and Bolas, and horse riding skills.

Zorro Productions, Inc., argued that it owned the copyright to the original character because Johnston McCulley assigned his Zorro rights to Mitchell Gertz in 1949. Gertz died in 1961 and his estate transferred to his children, who created Zorro Productions, Inc. Fireworks Entertainment argued that the original rights had already been transferred to Douglas Fairbanks, Sr. in 1920 and provided documents showing this was legally affirmed in 1929, and also questioned whether the copyright was still valid.

The court ruled that "since the copyrights in The Curse of Capistrano and The Mark of Zorro lapsed in 1995 or before, the character Zorro has been in the public domain".

Judge Collins also stated that "Plaintiffs' argument that they have a trademark in Zorro because they licensed others to use Zorro, however, is specious. It assumes that ZPI had the right to demand licenses to use Zorro at all."

On March 22, 2010, Zorro Productions, Inc., sued Mars, Incorporated, makers of M&M's chocolate candies, and ad agency BBDO Worldwide over a commercial featuring a Zorro-like costume.

Popular culture

References

  1. ^ All-Story Weekly vol. 100 #2 (August 9, 1919) - vol. 101 #2 (September 6, 1919)
  2. ^ Zorro Productions, Inc.
  3. ^ Maltin, Leonard, Leonard Maltin's Movie Guide 2007 Edition, Plume, 2006, pp. 1519 & 1181.
  4. ^ Zorro: Generation Z
  5. ^ Zorro Conquers the Philippines
  6. ^ Zorro (Sinclair ZX Spectrum computer game)
  7. ^ "About Zorro Productions Inc." page from the company's web site
  8. ^ "Highlights of the Zorro Publishing Program" page from the company's web site.
  9. ^ "Sony Pictures Entertainment v. Fireworks Ent. Group." at Google Scholar, retrieved Dec. 4, 2010.
  10. ^ Note 31 of Sony Pictures Entertainment v. Fireworks Ent. Group.
  11. ^ Zorro complaint

 



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