You will be bidding on a signed watercolor painting. It is signed "W. R. Leigh" to bottom right. It is a sad looking horse with its head bowed down. He is saddled up and ready to go, sitting outside and adobe structure. We are selling this AS IS, as a signed Leigh, but have not ever had it looked at or authenticated. We are offering the buyer a 7 day inspection period to send it back, for refund, if they are not happy. It looks right to us. It is just a watercolor sketch or study. We found a VERY similar if not the same, horse done in Oil by Leigh, as pictured, but all by itself. This image of this piece measures 9" x 13", framed 20 1/2 x 17 1/2". It looks to be circa 1900. There are 2 very tiny edge tears 1/8" or less, (both pictured). All we hve done is put acid free matting with it. The paper is very thin and fragile. It seems slightly toned on edges as shown on back. It is such a wonderful image, we hate to see it go, but our focus is Oklahoma artist's, now. We may consider a trade for a Historic or pre 1950s Oklahoma artist Painting. Let us know. We bought this several years ago, and have had it hanging ever since, at our home. It came into our store from an individual, so we really have no provenance. We will be happy to answer any questions you may have. See our other auctions for weekly Vintage and Antique Estate Sale and Auction FINDS! DO NOT MISS OUT!! Really. Please email with any questions you may have. Winning bidder is to add $35.00 shipping. WE PREFER PAYPAL, but gladly accept Checks, and MOs. Thanks for looking and good luck. Here is a short bio we found online.
BIO: William Robinson Leigh 1866-1955
William R. Leigh was born in Berkeley County, West Virginia in 1866. Deciding upon a career in art quite early, Leigh enrolled in classes at the Maryland Institute, Baltimore, in 1880, spending three years there before moving to Munich, where he studied at the Royal Academy for over a decade, leaving in 1895. While at the Academy, he won the annual medal for painting six times in a row.
Returning to the United States, Leigh settled in New York City, where he made illustrations for Scribner's and Collier's magazines. He became well-established as an illustrator, but both the nature of the work and the limited subject matter made him anxious for new challenges. In 1906, an opportunity to expand the scope of his work came about when the Sante Fe Railroad offered him free passage into the West in exchange for a painting of the Grand Canyon. Leigh accepted the offer and, at age forty, set off through New Mexico and Arizona on a trip that yielded not just the Grand Canyon piece he had been commissioned to do, but five more canvases that were purchased by the railroad.
His focus was on the changing light of the Southwest, the pinks and purples that come into being when the sun sets over the mountain ranges of Arizona and New Mexico. Half-jokingly referred to as "The Sagebrush Rembrandt," Leigh traveled to the Southwest many more times to paint the landscape and people, though he never moved there permanently. In fact, he led a sort of dual life, as he and his wife, Ethel Traphagen, opened the Traphagen School of Fashion in New York, which taught clothing design courses. The school was cutting-edge, its owner and students claiming responsibility for introducing shorts and slacks to women's wear lines.
Leigh traveled all over the West, painting the Grand Canyon and Yellowstone National Forest. His primary area of interest, however, was the Hopi and Navajo Indians, who he painted everysummer from 1912 to 1926. In 1926 he took his first of two trips to Africa, though African subjects never permeated his work as thoroughly as Southwestern subjects. A successful illustrator, Leigh started to experience real success as a fine artist starting in the early 1940s. A large and robust man, he was a vehement opponent of Modernist painting.