Reviews
‘The Understory' is a terrific reach through history from the pre- and post- Nazi era in Germany up to the present. . . . This is a wonderful story, a first-rate creation by a fine writer." — BILL HENDERSON , president and editor of Pushcart Press, in his judge's statement for the Raymond Carver Short Story Award, Salon What to Read Awards Largehearted Boy Favorite Short Story Collection of the Year New Hampshire Public Radio Summer Books Selection "Profound . . . with more to say on the human condition than most full books. . . . A remarkable collection, with pitch-perfect leaps of imagination." -- Minneapolis Star Tribune "Horvath doesn't just tell a story, he gives readers a window into the hearts, minds and souls of his characters." -- Concord Monitor "This stunning collection revels in wordplay and inventiveness, and is one of the finest short fiction collections I have read all year." -- Largehearted Boy "This is transformative prose at its best. . . . If you want an actual contemporary wordsmith who does not just tinker but thrives in the micro-worlds of Calvino and Borges, Walser and Perec, read Understories ." -- HTML Giant "As any great book, Understories confronts the making of fiction itself, intermittently directly confronting the mechanics of fabrication. . . . A major accomplishment by a major writer . . . full of writing as deeply aware of its antecedents as it is aware of the possibilities within, of, and about narrative." -- Big Other "This collection stand[s] out. There's plenty of imagination [in Understories ] but it's rooted in recognizable and occasionally irrational emotions, a human quality that makes these stories endure. . . . Below the striking imagery, there's abundant emotional depth to be found." -- Vol. 1 Brooklyn "A wild ride. [ Understories ] is a highly inventive short story collection that interweaves absurdity with a deep understanding of what makes people tick." -- Kenyon Review "Some books inspire, others seize. Understories seizes, shakes, then splits everything open." -- Punchnel's "Every echo, despite its resonance, is a kind of individual pocket. . . . As a fiction collection, then, Understories resonates not only on the stories as stories, but as an arrangement of individual parts. The buzz it gives off is the combined buzz of countless pockets, all charged with a life and surprise of their own." -- Collagist "With plenty of humor and a good dose of poignancy, Understories is an excellent assortment for those who want something that blends traditional and speculative fiction together well." -- Midwest Book Review " Understories is fueled by a wonderfully inventive mind, but ultimately, it is a mind in service to the heart. Horvath's attention is always squarely on us: who we are, who we have been, and how a great story can transform us." -- MATT BELL , author of Cataclysm Baby and In the House upon the Dirt between the Lake and the Woods "Remarkable writing and remarkably rewarding reading: stories equally saturated in contemporary fact and transfactual acids. An atlas of canny and uncanny maps, mainly cityscapes, of the branching imagination and convoluted heart. Move over, Mercator and Google Earth: make way for Horvath's haunting projections." -- BRIAN BOYD , author of Stalking Nabokov "Tim Horvath is a fluid, inventive writer who deftly interweaves the palpably real and the pyrotechnically fantastic. At once playful, deeply moving, and sharply funny, Understories satisfies the mind, the heart, and the gut." -- KATE CHRISTENSEN , author of The Astral and The Great Man "Horvath seems to be channeling, all at once, Borges and Calvino and Kevin Brockmeier. And it all works." -- REBECCA MAKKAI , author of The Borrower "'The Understory' is a terrific reach through history from the pre- and post- Nazi era in Germany up to the present. . . . This is a wonderful story, a first-rate creation by a fine writer." -- BILL HENDERSON , president and editor of Pushcart Press, in his judge's statement for the Raymond Carver Short Story Award, "This collection stand[s] out. There's plenty of imagination [in Understories ] but it's rooted in recognizable and occasionally irrational emotions, a human quality that makes these stories endure. . . . Below the striking imagery, there's abundant emotional depth to be found." -- Vol. 1 Brooklyn "As any great book, Understories confronts the making of fiction itself, intermittently directly confronting the mechanics of fabrication. . . . A major accomplishment by a major writer . . . full of writing as deeply aware of its antecedents as it is aware of the possibilities within, of, and about narrative." -- Big Other "'The Understory' is a terrific reach through history from the pre- and post- Nazi era in Germany up to the present. . . . This is a wonderful story, a first-rate creation by a fine writer." -- BILL HENDERSON , president and editor of Pushcart Press, in his judge's statement for the Raymond Carver Short Story Award
