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Plot Summary: This highly stylized novel tells the story of one very fractured family from Aymanam, Kerala. Through flashbacks and flash forwards. Rahel ahend Estha are fraternal twins whose emotional connection to one another is stronger than that of most siblings. As though they were a rare breed of Siamese twins, physically separate, but with joint identities. Now, years later, Rahel has a memory of waking up one night giggling at Estha’s funny dream. Their childhood household hums with hidden antagonisms and pains that only family members can give one another. Blind Mammachi, the twins’ grandmother is a widow who suffered years of abuse at the hands of her highly respected husband, and who has a fierce one-sided Oedipal connection with her son, Chacko. Baby Kochamma, Rahel and Estha’s grandaunt, nurses deep-seated bitterness for a lifetime of unrequited love, a bitterness that plays out slyly against everyone in the family; in her youth she fell in love with an Irish Roman-Catholic priest and converted to his faith to win him, while he eventually converted to Hinduism. Chacko, divorced from his English wife and separated from his daughter since her infancy, runs the pickle factory with a capitalist’s hand, self-deluding himself all the while that he is a Communist at heart even as he flirts with and beds his female employees. Ammu, the twins’ mother, is a divorcee who fled her husband’s alcoholism and impossible demands, a woman with a streak of wildness that the children sense and dread and that will be her and her family’s undoing. The family’s tragedy revolves around the visit of Chacko’s ex-wife, widowed by her second husband, and his daughter, Sophie Mol. It is within the context of their visit that Estha will experience the one horrible thing that should never happen to a child, during their visit that Ammu will come to love by night the man the children love by day, and during their visit that Sophie Mol will die. Her death, and the fate of the twins’ beloved Untouchable Velutha, will forever alter the course of the lives of all the members of the family, sending them each off on spinning trajectories of regret and pain. The story reveals itself not in traditional narrative order, but in jumps through time, wending its way through Rahel’s memories and attempts at understanding the hand fate dealt her family. The God of Small Things unfolds the secrets of these characters’ unhappiness. Arundhati Roy twists and reshapes language to create an arresting, startling sort of precision. The average reader of mainstream fiction may have a tough time working through Roy’s prose, but those with a more literary bent to their usual fiction inclinations should find the initial struggle through the dense prose a worthy price for this lushly tragic tale. In a nut shell - it was an attempt to write something that was told before in simple language (by authors like Kamala Das) by giving a different flavor altogether. For me it is a forced literary gimmick at the expense of readability. If you want to crack nuts then go for "Ulysses" - Atleast it's worth cracking !!Read full review
Apparently that's what it was for. So much writing and notes and underlining in the book it's pretty distracting so I have yet to finish it. On the other hand, perhaps it offers insights I wouldn't have considered. We'll see.
Verified purchase: Yes | Condition: Pre-owned
Wonderful writing and a compelling story. Purchaser used paperback in excellent condition.
Verified purchase: Yes | Condition: Pre-owned
The book arrived with the first chapter torn out and the first pages of the second chapter. How’s that ?
Verified purchase: Yes | Condition: Pre-owned
Verified purchase: Yes | Condition: Pre-owned
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