Details about SILVERCHAIR: FREAK SHOW [Abuse Me,Pop Song for Us Rejects,Roses=
SILVERCHAIR: FREAK SHOW [Abuse Me,Pop Song for Us Rejects,Roses=
Jan 27, 2014 16:32:16 PST
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Very Good: An item that is used but still in very good condition. No damage to the jewel case or item cover, no ... Read moreabout the condition
Album or EP
Sony Music Distribution (USA)
3. Abuse Me
4. Lie to Me
5. No Association
7. Door, The
8. Pop Song for Us Rejects
9. Learn to Hate
10. Petrol & Chlorine
12. Nobody Came
13. Closing, The
Silverchair: Daniel Johns (vocals, guitar); Chris Joannou (bass); Ben Gillies (drums).Additional personnel: Ruk Mali (sitar); Amanda Brown, Ian Cooper, Lorenza Ponce, Elizabeth Knowles, Todd Reynolds, David Mansfield, Ravi Kultilak (violin); Matthew Pierce, Rudi Crivici (viola); Jane Scarpantoni, Margaret Lindsay (cello); Pandit Ran Chander Suman (tampura, tabla).Recorded at Festival Studio, Sydney, Australia.Personnel: David Mansfield , Ian Cooper , Lorenza Ponce, Amanda Brown , Todd Reynolds (violin); Matthew Pierce (viola); Jane Scarpantoni (cello).Audio Mixers: Nick Launay; Andy Wallace.Recording information: Festival Studio, Sydney, New South Wales, Australia.Illustrator: Lydia.Photographers: Adrienne Overall; Sophie Howarth.The three members of Silverchair are still in their teens, but the band's second album displays a real maturity to go with its musical variety; FREAK SHOW expands the typical grunge palette to include timpani, sitar and a string section (which features Jane Scarpantoni, cellist to the alt-rock stars). The themes continue to be dark and heavy. Along with the earnest and agonizing confessionals, this time there are also angry responses to criticism of Silverchair's first album, 1995's FROGSTOMP, which was slightly more popular with the public than it was with the critics.Undaunted, Silverchair forges on and grows up. Standouts on FREAK SHOW include the unsubtle "No Association," which pleads, "Leave me alone I want to live/Stop sucking the blood right out of me," while guitars carve a deep grungy groove, and "Abuse Me," which sets furious lyrics against a deceptively melodious background. Such impassioned songwriting is tinged with hints of sincere disillusion; the drama rarely boils over into melodrama. There is also a sense of spontaneity that sets Silverchair apart from other grunge and hardcore-influenced bands, and hints at even better things to come.
Rolling Stone (19970220)
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