am offering here an ultra rare Mosrite Combo 12 string Guitar. This guitar carries
the serial number G 0109 of a guitars run made by Mosrite from 1966 to 1969.
It has as can be seen from the pictures had a charmed life! This guitar is a joy to play with no issues, The neck is arrow straight, the
action is low and fast, the electrics appear to be excellent. The Sunburst finish is bright and vibrant.
The Combo is very similar to the Joe Maphis model being of a semi hollow maple construction. It has a wondefull Mosrite twangy tone, typical of the two single coil pickups. It is in may ways "work of art" the shape of the body is a true beauty.
The only real negative to the guitar beyond the usual wear from gigging, is that
a small area of the original finish has worn from the back of the guitar, I have
tried to illustrate this, but if you would like more pictures please email. I have also taken some 50 pictures the link to which is bellow....
Mosrite Combo PICTURES
If you are a guitar player and have never played a Mosrite, one has to ask why
not? This is your chance to right that wrong!
The guitar comes with an
original case, This likewise is in very good condition with the usual scuffs aquired through life "on the road"
Lastly I have no idea as to the value, so I will let the market decide.....
Starting price is £1, if that is the high bid, that is what you will get the
Attached below is a very brief history of Mosrite Guitars,
In 1954 Semie built a triple-neck guitar in his garage (the longest neck was a standard guitar, the second-longest neck an octave higher, the shortest was an eight-string mandolin). He presented a double-neck to Joe Maphis, a Los Angeles area TV performer. By 1956, with an investment from Ray Boatwright, a local Los Angeles minister, Semie and Andy started their company, Mosrite of California. In gratitude to Boatwright, Moseley named the company by combining his and Boatwright's last names; the name is properly pronounced MOZE-rite, based on the pronunciation Semie Moseley used for his own name. Semie, who built guitars for the L.A.-based Rickenbacker company, said to his co-workers that he was making his own product, and he was fired by Rickenbacker.
When they began, their production was all custom, handmade guitars, built in garages, tin storage sheds, wherever the Moseleys could put equipment.
In 1959, Andy moved to Nashville, for a year to popularize the Mosrite name and sold a few, including to Grand Ole Oprey entertainers and road musicians. Andy said: "And that’s how we kept the factory going at the time: custom guitars".
Moseley made guitars in Los Angeles until 1959, when he moved to Oildale Calif, just north of Bakersfield.
In 1962 he moved his shop to Panama Lane where he designed and produced the first Joe Maphis model guitars, one model of which would eventually evolve into the "Ventures model" guitar and bass. (Joe Maphis would later get a model of his own, similar to a Mosrite Combo model but without the F-Hole.) At this time, Mosrite made everything in-house, except for the tuners. At the peak of production, in 1968, Mosrite was making around 1,000 guitars per month.Mosrite of California went bankrupt in late 1968 after they contracted with a competitor to market their guitars. After this, they tried to deal directly with stores, and they sold 280 guitars in 1969 before they came to the shop one day and found their doors pad-locked. Two years after his bankruptcy, Semie was able to get back the Mosrite name, and in 1970 he started making guitars again in Pumpkin Center near Bakersfield. He moved his factory three times in the next 20 years, to Oklahoma City in the mid-70s, to the township of Jonas Ridge, in Burke COunty, in 1981 (where a factory fire destroyed the operation), and to Boonville, in 1991.
Though an acknowledged genius at guitar design and construction, Moseley lacked many basic skills necessary to be a good businessman, and thus the company fell on hard times repeatedly in the late 1960s and 1970s, but continued to produce Mosrite guitars until 1993 in North Carolina and Arkansas. Most of them were exported to Japan, where their popularity remained very strong. The quality of the instruments always remained very respectable. Semie Moseley died in 1992. His wife Loretta continued to produce Mosrites a year or so after his death, and since 2008 has been selling custom Mosrites via their website.
The company now has recently released the Semie Moseley Model ’63 and ’65, based on the Ventures models made in those two years. Both models are made to the exact specifications as the original models; they are 100% hand-made and were created to commemorate Semie Moseley.
Semie's daughter, Dana Moseley, is also a luthier and continues to build Mosrite guitars. She also helps kick off the monthly "Mosrite Jam" in Bakersfield.
Moseley designed his own hand vibrato units. The Vibramute consisted of a solid cast metal base, and a string stop connected to a vibrato arm lifted by a large spring. The bridge, also designed by Moseley, he called the RollerMatic bridge. Each string sat atop a raised post with individual string rollers. This allows for the tension between the string stop and bridge to stay equal to the tension between the bridge and nut, which helps the guitar stay in tune and reduces string wear when using the tremolo. It is also ideally positioned for easy palm muting of the strings. Early models of the Vibramute also had, as its name implies, a foam rubber string mute at the front, similar to the Fender Jagar , but most players disliked it. That, in conjunction with many requests to lengthen the rather short vibrato handle, led Moseley to slightly re-design the unit for the 1965 and beyond guitars. He named this incarnation the "Moseley" vibrato, though its differences with the Vibramute are slight.
The body of Mosrite Ventures models are shaped so that the lower horn of the body is longer than the upper. Many Mosrite Guitars have a beveled edge around the body called a "German carve".
The Gospel models were produced in various years and have experienced many and varied changes in the style of construction. While some of the later, solid-body Gospel guitars have a unique flat face body with rounded edges, the first prototypes, created in the mid-60s, were hollow, and based loosely on the Celebrity model. Notable differences include the mildly scalloped headstock that had the "Gospel" trademark and sign of the Cross, but not the Mosrite name. Hardware was solid brass, hand polished and chromed. Only two of the original Gospel prototypes survived the manufacturing process, as they were handcrafted by Semie, himself, using violin joints, rather than the serrated form blocks used to join most hollow body guitar sides to the top and back. The original Gospel guitars both had arched backs, as well as tops, with bound "F" holes. The transparent Blue Gospel, numbered GA009, was Semie's own personal guitar, used by him when playing on Gospel music tours. The all blonde Gospel was given to Semie's founding partner, the Reverend Ray Boatright. The Reverend was attacked in front of his church in Watts, he was killed, and the guitar was smashed. Thus, the only surviving original mid 60s "GA" prototype is Semie's Blue Gospel Guitar.
After the death of Reverend Boatright, Semie continued to play on Gospel Music Tours and also to develop more styles of Gospel Guitars, never quite matching the original prototypes. In the 1970s, he modified some Celebrity models and made Gospel guitars out of them. Semie always had the philosophy that Gospel musicians were doing the Lord's work and should have the very best instruments possible, even if they couldn't afford to pay very much. Throughout the years, Semie Moseley, and the Mostire Guitar Company, made many versions and models of Gospel guitars. They were never made consistently, in production runs, often changed from week to week, and were never manufactured in large numbers. Still, the original "GA" series prototype was said to sound so beautifully bell-like as to "Sing To The Angels".
Stereo 350 models are shaped similar to Fender's Telecaster guitar. Stereo 350 models feature two output jacks and a circuit to send each pickup's signal to a different amp, If desired.
Bluesbender and Brass Rail guitars are shaped similar to Gibson's Les Paul.
Models from the 60s have narrow and thin necks. Most also have thin, very low frets known as Speed Frets (.070 wide, .022 high or .022 on the bass side tapering to .015 on the treble side) Somewhat similar to Gibson "Fretless Wonders". However, Unlike a Fretless Wonder, Speed Frets are slightly rounded rather than flat. Mosrite guitars also had zero frets which allow for very low action. The headstock has the outline of the letter "M" at the top.
70s models generally have larger necks than the 1960s models.
Brass Rail models from the mid 70s feature a brass rail in the guitar neck that has the frets hammered in, in an attempt to create more sustain.Joe MaphisMaphis model
- The Ventures
- Johnny Ramone
- Art Greenhaw
- Jimmy Hendrix
- Ricky Wilson of The B-52's
- Fred Smith of MC5
- Kurt Cobain of Nivarna
- Andrew Scott of Sloan
- Yuzo Kayama
- Takeshi Terauchi
- Dave Alexnderof The Stooges
- Ben Weassel of the Riverdale
- Lastly I will ship anywhere in the world, I am happy to use any carrier, as a rule I find DHL works well, price for shipping will be at cost no more no less.
Ebay's shipping calculator seems to come up with very interesting and unattainable figures, so please ignore all reference to shipping costs!! The quoted figure of £1 is purely to fill a gap!
I will always leave feedback when the same is received, lastly if you have any problems or questions please let me know.Good luck and happy bidding,