Kraftwerk - 1 Concert Ticket NYC Monday April 16th THE MIX - SOLD OUT!!

Ralf Hütter and Florian Schneider began the Kraftwerk project in Düsseldorf, Germany, in 1970, setting up the pioneering Kling Klang studio, where all of Kraftwerk's albums were conceived and composed. By the mid-1970s the group had achieved international recognition for their revolutionary electro "sound paintings" and their musical experimentation with tapes and synthesizers. Their compositions, which feature distant melodies, multilingual vocals, robotic rhythms, and custom-made vocoders and computer-speech teat thchnolotehoun 7:30pmture the human condition in the age of mobi and telec

ommunication. Their innovative looping techniques and computerized rhythmsad a ma early devpment of hip-hop and electroance music, remain among the most

commonly sampled sounds acros

The Museum of Modern Art presents its first time-based artist retrospective with Kraftwerk–Retrospective 1 2 3 4 5 6 7 8, performed live on eight consecutive evenings from April 10 through 17, by Kraftwerk, the avant-garde electronic music pioneers.

Each evening will consist of a live performance, in the Museum’s Donald B. and Catherine C. Marron Atrium, of works from one of the group’s eight albums, created over four decades, followed by a selection of original compositions from their catalogue adapted specifically for this exhibition’s format to showcase both Kraftwerk’s historical contributions and contemporary influences on sound and image culture.

Kraftwerk–Retrospective 1 2 3 4 5 6 7 8 is organized by Klaus Biesenbach, Chief Curator at Large at MoMA and Director of MoMA PS1, with the assistance of Eliza Ryan, Curatorial Assistant, MoMA PS1.

The elaborate staging of the performances will combine sound and 3D images to present more than 40 years of musical and technological innovation, with new improvisations and 3D projections. The albums will be performed in chronological order: Autobahn (1974), Radio-Activity (1975), Trans Europe Express (1977), The Man-Machine (1978), Computer World (1981), Techno Pop (1986), The Mix (1991), and Tour de France (2003).s a wide range of music genres. Furthermore, the use of robotics and other technical innovations in their live performances illustrates Kraftwerk’s belief in the respective contributions of both people and machines in creating art.

In recent years, starting with their performance at the Venice Biennale in 2005, Kraftwerk has been invited into the visual arts context, festivals, and museums, most recently performing at Lenbachhaus Kunstbau in Munich. In contrast to all former presentations, where Kraftwerk videos, visuals, or the “robots” were presented in a museum context but performances were staged as concerts, MoMA is realizing a groundbreaking new display: the first synthetic retrospective to present, simultaneously and in one location, Kraftwerk's complex layers of music, sound, videos, sets, and performance as a total work of art.

A presentation of Kraftwerk’s historical audio and visual material is on view at MoMA PS1, April 12–May 14, 2012.

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