Reviews
"The other truly remarkable thing about [Murdoch] was the freedom with which she shared her body and, as this book makes plain, there was nothing simplified about Murdoch's sex life . . . Reading Murdoch's letters during this period is something like being plugged into the national grid. Her subjects cover Proust ('delicious, subtle, beautiful'), Tacitus ('I tremble and adore'), politics ('I don't have a clear line on it any more'), the loss of her virginity ('in every way a good thing'), and her longing to write: 'Jesus God how I want to write. I want to write a long long & exceedingly obscure novel objectifying the queer conflicts I find within myself and observe in the characters of others.'" --The London Times "[Adds] to our picture of the vivid, unsettling, paradoxical nature of the young Iris Murdoch . . . We can see here the evolution of the novelist from the jejune chrysalis of her student experiences. Just as she later believed that true philosophy (metaphysics) could only be lived, so her dominant subject as a novelist-the interplay between intelligence and eros, reality and illusion, false magic and true-reached down into the intensity of her early adult relations." --The Daily Telegraph, "The other truly remarkable thing about [Murdoch] was the freedom with which she shared her body and, as this book makes plain, there was nothing simplified about Murdoch's sex life . . . Reading Murdoch's letters during this period is something like being plugged into the national grid. Her subjects cover Proust ('delicious, subtle, beautiful'), Tacitus ('I tremble and adore'), politics ('I don't have a clear line on it any more'), the loss of her virginity ('in every way a good thing'), and her longing to write: 'Jesus God how I want to write. I want to write a long long & exceedingly obscure novel objectifying the queer conflicts I find within myself and observe in the characters of others.'" --The London Times"[Adds] to our picture of the vivid, unsettling, paradoxical nature of the young Iris Murdoch . . . We can see here the evolution of the novelist from the jejune chrysalis of her student experiences. Just as she later believed that true philosophy (metaphysics) could only be lived, so her dominant subject as a novelist-the interplay between intelligence and eros, reality and illusion, false magic and true-reached down into the intensity of her early adult relations." --The Daily Telegraph"[The] book dispels th[e] simplistic view and shows the extent of what Conradi calls "the freedom" of Murdoch's mind. It also makes me want to give her fiction another try." --Frank Freeman, First Things"The diary and letters demonstrate how deeply Murdoch mined her own life for the dilemmas, milieu, and emotion that emerge in her novels...Conradi has done an excellent job of editing and introducing these pages; what one ultimately takes away from them is a portrait of a complex young woman in the process of becoming a formidable artist." --Harvard Review Online, "The other truly remarkable thing about [Murdoch] was the freedom with which she shared her body and, as this book makes plain, there was nothing simplified about Murdoch's sex life . . . Reading Murdoch's letters during this period is something like being plugged into the national grid. Her subjects cover Proust ('delicious, subtle, beautiful'), Tacitus ('I tremble and adore'), politics ('I don't have a clear line on it any more'), the loss of her virginity ('in every way a good thing'), and her longing to write: 'Jesus God how I want to write. I want to write a long long & exceedingly obscure novel objectifying the queer conflicts I find within myself and observe in the characters of others.'" --The London Times "[Adds] to our picture of the vivid, unsettling, paradoxical nature of the young Iris Murdoch . . . We can see here the evolution of the novelist from the jejune chrysalis of her student experiences. Just as she later believed that true philosophy (metaphysics) could only be lived, so her dominant subject as a novelist-the interplay between intelligence and eros, reality and illusion, false magic and true-reached down into the intensity of her early adult relations." --The Daily Telegraph "[The] book dispels th[e] simplistic view and shows the extent of what Conradi calls "the freedom" of Murdoch's mind. It also makes me want to give her fiction another try." --Frank Freeman, First Things "The diary and letters demonstrate how deeply Murdoch mined her own life for the dilemmas, milieu, and emotion that emerge in her novels...Conradi has done an excellent job of editing and introducing these pages; what one ultimately takes away from them is a portrait of a complex young woman in the process of becoming a formidable artist." --Harvard Review Online
