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Details about  1900 GULLIVER'S TRAVEL FANTASY ILLUSTRATED BINDING GIFT

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1900 GULLIVER'S TRAVEL FANTASY ILLUSTRATED BINDING GIFT
1900-GULLIVERS-TRAVEL-FANTASY-ILLUSTRATED-BINDING-GIFT
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Jun 19, 2011 08:43:01 PDT
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US $24.99
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Item location:
Southbury, Connecticut, United States

Description

eBay item number:
380346864268
Seller assumes all responsibility for this listing.

Item specifics

Binding:

Fine Binding

Special Attributes:

Illustrated

Subject:

Children's

Printing Year:

1900

Topic:

Fairy Tales & Fantasy

Origin:

American

ANTIQUE BOOK CENTRAL

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1900 GULLIVER'S TRAVEL FANTASY ILLUSTRATED BINDING GIFT







Description:

 ON AUCTION HERE is a wonderful illustrated US edition of Gulliver's Travels into Several Remote Parts of the World, by Jonathan Swift, D.D. With 8 Illustrations in Colors and 37 Drawings in black and white, by Gordon Browne and C.E. Brock. Published by A.L. Burt Co., New York. No date, but around 1900s. Bound in decorated cloth, as seen in the scan. 467 pages. Solid condition. We note the fanciful nature of the prints. The first edition is, of course, NOT obtainable. We put this item in the children's section, but it is not really a kids' book, it has just been thought of this way. 

Travels into Several Remote Nations of the World, in Four Parts. By Lemuel Gulliver, First a Surgeon, and then a Captain of Several Ships, better known simply as Gulliver's Travels (1726, amended 1735), is a novel by Anglo-Irish writer and clergyman Jonathan Swift (also known as Dean Swift that is both a satire on human nature and a parody of the "travellers' tales" literary sub-genre. It is Swift's best known full-length work, and a classic of English literature.

The book became popular as soon as it was published (John Gay said in a 1726 letter to Swift that "it is universally read, from the cabinet council to the nursery"); since then, it has never been out of print.

The book begins with a very short preamble in which Lemuel Gulliver, in the style of books of the time, gives a brief outline of his life and history prior to his voyages. He enjoys travelling, although it is that love of travel that is his downfall.

During his first voyage, Gulliver is washed ashore after a shipwreck and finds himself a prisoner of a race of people normal human beings, less than 6inches high, who are inhabitants of the neighbouring and rival countries of Lilliput. After giving assurances of his good behaviour, he is given a residence in Lilliput and becomes a favourite of the court. From there, the book follows Gulliver's observations on the Court of Lilliput. He is also given the permission to roam around the city on a condition he not harm their subjects. Gulliver assists the Lilliputians to subdue their neighbours the Blefuscudians by stealing their fleet. However, he refuses to reduce the country to a province of Lilliput, displeasing the King and the court. Gulliver is charged with treason and sentenced to be blinded. With the assistance of a kind friend, Gulliver escapes to Blefuscu, where he spots and retrieves an abandoned boat and sails out to be rescued by a passing ship which safely takes him back home.

Part II: A Voyage to Brobdingnag

20 June 1702 — 3 June 1706

When the sailing ship Adventure is steered off course by storms and forced to go in to land for want of fresh water, Gulliver is abandoned by his companions and found by a farmer who is 72 feet (22 m) tall (the scale of Lilliput is approximately 1:12; of Brobdingnag 12:1, judging from Gulliver estimating a man's step being 10 yards (9.1 m)). He brings Gulliver home and his daughter cares for Gulliver. The farmer treats him as a curiosity and exhibits him for money. The word gets out and the Queen of Brobdingnag wants to see the show. She loves Gulliver and he is then bought by her and kept as a favourite at court.

Since Gulliver is too small to use their huge chairs, beds, knives and forks, the queen commissions a small house to be built for Gulliver so that he can be carried around in it. This is referred to as his "travelling box." In between small adventures such as fighting giant wasps and being carried to the roof by a monkey, he discusses the state of Europe with the King. The King is not impressed with Gulliver's accounts of Europe, especially upon learning of the usage of guns and cannons. On a trip to the seaside, his travelling box is seized by a giant eagle which drops Gulliver and his box right into the sea where he is picked up by some sailors, who return him to England.

Part III: A Voyage to Laputa, Balnibarbi, Luggnagg, Glubbdubdrib, and Japan

Gulliver discovers Laputa, the flying island (illustration by J.J. Grandville.)

5 August 1706 — 16 April 1710

After Gulliver's ship is attacked by pirates, he is marooned close to a desolate rocky island, near India. Fortunately he is rescued by the flying island of Laputa, a kingdom devoted to the arts of music and mathematics but unable to use them for practical ends.

Laputa's method of throwing rocks at rebellious surface cities also seems the first time that aerial bombardment was conceived as a method of warfare. While there, he tours the country as the guest of a low-ranking courtier and sees the ruin brought about by blind pursuit of science without practical results, in a satire on bureaucracy and the Royal Society and its experiments. At The Grand Academy of Lagado great resources and manpower are employed on researching completely preposterous and unnecessary schemes such as extracting sunbeams from cucumbers, softening marble for use in pillows, learning how to mix paint by smell, and uncovering political conspiracies by examining the excrement of suspicious persons (see muckraking).

Gulliver is then taken to Balnibarbi to await a trader who can take him on to Japan. While waiting for passage, Gulliver takes a short side-trip to the island of Glubbdubdrib, where he visits a magician's dwelling and discusses history with the ghosts of historical figures, the most obvious restatement of the "ancients versus moderns" theme in the book. In Luggnagg he encounters the struldbrugs, unfortunates who are immortal, but not forever young, but rather forever old, complete with the infirmities of old age and considered legally dead at the age of eighty. After reaching Japan, Gulliver asks the Emperor "to excuse my performing the ceremony imposed upon my countrymen of trampling upon the crucifix", which the Emperor grants. Gulliver returns home, determined to stay there for the rest of his days.

Part IV: A Voyage to the Country of the Houyhnhnms

7 September 1710 – 2 July 1715

Despite his earlier intention of remaining at home, Gulliver returns to the sea as the captain of a merchantman as he is bored with his employment as a surgeon. On this voyage he is forced to find new additions to his crew who he believes to have turned the rest of the crew against him. His crew then mutiny, and after keeping him contained for some time resolve to leave him on the first piece of land they come across and continue as pirates. He is abandoned in a landing boat and comes first upon a race of (apparently) hideous deformed and savage humanoid creatures to which he conceives a violent antipathy. Shortly thereafter he meets a horse and comes to understand that they call themselves Houyhnhms (which in their language means "the perfection of nature"), and that they are the rulers, while the deformed creatures called Yahoos are human beings in their base form.

Gulliver becomes a member of the horse's household, and comes to both admire and emulate the Houyhnhnms and their lifestyle, rejecting his fellow humans as merely Yahoos endowed with some semblance of reason which they only use to exacerbate and add to the vices Nature gave them. However, an Assembly of the Houyhnhnms rules that Gulliver, a Yahoo with some semblance of reason, is a danger to their civilization, and expels him.

He is then rescued, against his will, by a Portuguese ship, and is surprised to see that Captain Pedro de Mendez, a Yahoo, is a wise, courteous and generous person. He returns to his home in England, but he is unable to reconcile himself to living among Yahoos and becomes a recluse, remaining in his house, largely avoiding his family and his wife, and spending several hours a day speaking with the horses in his stables.

Composition and history

It is uncertain exactly when Swift started writing Gulliver's Travels, but some sources suggest as early as 1713 when Swift, Gay, Pope, Arbuthnot and others formed the Scriblerus Club, with the aim of satirising then-popular literary genres. Swift, runs the theory, was charged with writing the memoirs of the club's imaginary author, Martinus Scriblerus. It is known from Swift's correspondence that the composition proper began in 1720 with the mirror-themed parts I and II written first, Part IV next in 1723 and Part III written in 1724, but amendments were made even while Swift was writing Drapier's Letters. By August 1725 the book was completed, and as Gulliver's Travels was a transparently anti-Whig satire it is likely that Swift had the manuscript copied so his handwriting could not be used as evidence if a prosecution should arise (as had happened in the case of some of his Irish pamphlets). In March 1726 Swift travelled to London to have his work published; the manuscript was secretly delivered to the publisher Benjamin Motte, who used five printing houses to speed production and avoid piracy. Motte, recognising a bestseller but fearing prosecution, simply cut or altered the worst offending passages (such as the descriptions of the court contests in Lilliput or the rebellion of Lindalino), added some material in defence of Queen Anne to book II, and published it anyway. The first edition was released in two volumes on 26 October 1726, priced 8s. 6d. The book was an instant sensation and sold out its first run in less than a week.

Motte published Gulliver's Travels anonymously and, as was often the way with fashionable works, several follow-ups (Memoirs of the Court of Lilliput), parodies (Two Lilliputian Odes, The first on the Famous Engine With Which Captain Gulliver extinguish'd the Palace Fire...) and "keys" (Gulliver Decipher'd and Lemuel Gulliver's Travels into Several Remote Regions of the World Compendiously Methodiz'd, the second by Edmund Curll who had similarly written a "key" to Swift's Tale of a Tub in 1705) were produced over the next few years. These were mostly printed anonymously (or occasionally pseudonymously) and were quickly forgotten. Swift had nothing to do with any of these and specifically disavowed them in Faulkner's edition of 1735. However, Swift's friend Alexander Pope wrote a set of five Verses on Gulliver's Travels which Swift liked so much that he added them to the second edition of the book, though they are not nowadays generally included.

Faulkner's 1735 edition

In 1735 an Irish publisher, George Faulkner, printed a complete set of Swift's works to date, Volume III of which was Gulliver's Travels. As revealed in Faulkner's "Advertisement to the Reader", Faulkner had access to an annotated copy of Motte's work by "a friend of the author" (generally believed to be Swift's friend Charles Ford) which reproduced most of the manuscript free of Motte's amendments, the original manuscript having been destroyed. It is also believed that Swift at least reviewed proofs of Faulkner's edition before printing but this cannot be proven. Generally, this is regarded as the editio princeps of Gulliver's Travels with one small exception, discussed below.

This edition had an added piece by Swift, A letter from Capt. Gulliver to his Cousin Sympson which complained of Motte's alterations to the original text, saying he had so much altered it that "I do hardly know mine own work" and repudiating all of Motte's changes as well as all the keys, libels, parodies, second parts and continuations that had appeared in the intervening years. This letter now forms part of many standard texts.

Lindalino

The short (five paragraph) episode in Part III, telling of the rebellion of the surface city of Lindalino against the flying island of Laputa, was an obvious allegory to the affair of Drapier's Letters of which Swift was proud. Lindalino represented Dublin and the impositions of Laputa represented the British imposition of William Wood's poor-quality copper currency. Faulkner had omitted this passage, either because of political sensitivities raised by being an Irish publisher printing an anti-British satire or possibly because the text he worked from did not include the passage. In 1899 the passage was included in a new edition of the Collected Works. Modern editions derive from the Faulkner edition with the inclusion of this 1899 addendum.

Isaac Asimov notes in The Annotated Gulliver that Lindalino is composed of double lins; hence, Dublin.

Major themes

Gulliver's Travels has been the recipient of several designations: from Menippean satire to a children's story, from proto-Science Fiction to a forerunner of the modern novel.

Published seven years after Daniel Defoe's wildly successful Robinson Crusoe, Gulliver's Travels may be read as a systematic rebuttal of Defoe's optimistic account of human capability. In The Unthinkable Swift: The Spontaneous Philosophy of a Church of England Man Warren Montag argues that Swift was concerned to refute the notion that the individual precedes society, as Defoe's novel seems to suggest. Swift regarded such thought as a dangerous endorsement of Thomas Hobbes' radical political philosophy and for this reason Gulliver repeatedly encounters established societies rather than desolate islands. The captain who invites Gulliver to serve as a surgeon aboard his ship on the disastrous third voyage is named Robinson.

Possibly one of the reasons for the book's classic status is that it can be seen as many things to many different people. Broadly, the book has three themes:

a satirical view of the state of European government, and of petty differences between religions.

an inquiry into whether men are inherently corrupt or whether they become corrupted.

a restatement of the older "ancients versus moderns" controversy previously addressed by Swift in The Battle of the Books.

In terms of storytelling and construction the parts follow a pattern:

The causes of Gulliver's misadventures become more malignant as time goes on - he is first shipwrecked, then abandoned, then attacked by strangers, then attacked by his own crew.

Gulliver's attitude hardens as the book progresses — he is genuinely surprised by the viciousness and politicking of the Lilliputians but finds the behaviour of the Yahoos in the fourth part reflective of the behaviour of people.

Each part is the reverse of the preceding part — Gulliver is big/small/wise/ignorant, the countries are complex/simple/scientific/natural, forms of government are worse/better/worse/better than England's.

Gulliver's view between parts contrasts with its other coinciding part—Gulliver sees the tiny Lilliputians as being vicious and unscrupulous, and then the king of Brobdingnag sees Europe in exactly the same light. Gulliver sees the Laputians as unreasonable, and Gulliver's Houyhnhnm master sees humanity as equally so.

No form of government is ideal—the simplistic Brobdingnagians enjoy public executions and have streets infested with beggars, the honest and upright Houyhnhnms who have no word for lying are happy to suppress the true nature of Gulliver as a Yahoo and are equally unconcerned about his reaction to being expelled.

Specific individuals may be good even where the race is bad—Gulliver finds a friend in each of his travels and, despite Gulliver's rejection and horror toward all Yahoos, is treated very well by the Portuguese captain, Dom Pedro, who returns him to England at the novel's end.

Of equal interest is the character of Gulliver himself — he progresses from a cheery optimist at the start of the first part to the pompous misanthrope of the book's conclusion and we may well have to filter our understanding of the work if we are to believe the final misanthrope wrote the whole work. In this sense Gulliver's Travels is a very modern and complex novel. There are subtle shifts throughout the book, such as when Gulliver begins to see all humans, not just those in Houyhnhnm-land, as Yahoos.

Despite the depth and subtlety of the book, it is often classified as a children's story because of the popularity of the Lilliput section (frequently bowdlerised) as a book for children. It is still possible to buy books entitled Gulliver's Travels which contain only parts of the Lilliput voyage.

Cultural influences

From 1738 to 1746, Edward Cave published in occasional issues of The Gentleman's Magazine semi-fictionalized accounts of contemporary debates in the two Houses of Parliament under the title of Debates in the Senate of Lilliput. The names of the speakers in the debates, other individuals mentioned, politicians and monarchs present and past, and most other countries and cities of Europe ("Degulia") and America ("Columbia") were thinly disguised under a variety of Swiftian pseudonyms. The disguised names, and the pretence that the accounts were really translations of speeches by Lilliputian politicians, were a reaction to a Parliamentary act forbidding the publication of accounts of its debates. Cave employed several writers on this series: William Guthrie (June 1738-November 1740), Samuel Johnson (November 1740-February 1743), and John Hawkesworth (February 1743-December 1746).

The popularity of Gulliver is such that the term "Lilliputian" has entered many languages as an adjective meaning "small and delicate". There is even a brand of cigar called Lilliput which is small. In addition to this there are a series of collectible model-houses known as "Lilliput Lane". The smallest light bulb fitting (5mm diameter) in the Edison screw series is called the "Lilliput Edison screw". In Dutch, the word "Lilliputter" is used for adults shorter than 1.30 meters. Conversely, "Brobdingnagian" appears in the Oxford English Dictionary as a synonym for "very large" or "gigantic".

In like vein, the term "yahoo" is often encountered as a synonym for "ruffian" or "thug".

In the discipline of computer architecture, the terms big-endian and little-endian are used to describe two possible ways of laying out bytes in memory; see Endianness. The terms derive from one of the satirical conflicts in the book, in which two religious sects of Lilliputians are divided between those who prefer cracking open their soft-boiled eggs from the little end, and those who prefer the big end.

Many sequels followed the initial publishing of the Travels. The earliest of these was the anonymously authored Memoirs of the Court of Lilliput, published 1727, which expands the account of Gulliver's stays in Lilliput and Blefuscu by adding several gossipy anecdotes about scandalous episodes at the Lilliputian court.

Abbé Pierre Desfontaines, the first French translator of Swift's story, wrote a sequel, Le Nouveau Gulliver ou Voyages de Jean Gulliver, fils du capitaine Lemuel Gulliver (The New Gulliver, or the travels of John Gulliver, son of Captain Lemuel Gulliver), published in 1730. Gulliver's son has various fantastic, satirical adventures.

The Hungarian writer Frigyes Karinthy (1887–1938) wrote two novels in which a 20th-century Gulliver visits imaginary lands. One, Utazás Faremidóba (i.e. Voyage to Faremido) (1916), recounts a trip to a land with almost robot-like, metallic beings whose lives are ruled by science, not emotion, and who communicate through a language based on musical notes. The second, Capillaria (1921), is a satirical comment on male-female relationships. It involves a trip by Gulliver to a world where all the intelligent beings are female, males being reduced to nothing more than their reproductive function.

Soviet Ukrainian science fiction writer Vladimir Savchenko published Gulliver's Fifth Travel - The Travel of Lemuel Gulliver, First a Surgeon, and Then a Captain of Several Ships to the Land of Tikitaks (Russian: ????? ??????????? ????????? - ??????????? ??????? ?????????, ??????? ???????, ? ????? ???????? ?????????? ????????, ? ?????? ?????????) - a sequel to the original series in which Gulliver's role as a surgeon is more apparent. Tikitaks are people who inject the juice of a unique fruit to make their skin transparent, as they consider people with regular opaque skin secretive and ugly.

Davy King's 1978 short story "The Woman Gulliver Left Behind" is a sort of satirical feminist spin on the tale, telling it from the point of view of Gulliver's wife. Alison Fell's novel "The Mistress of Lilliput" does likewise: Mary Gulliver goes travelling herself.

In 1998 the Argentine writer Edgar Brau published El último Viaje del capitán Lemuel Gulliver (Captain Lemuel Gulliver's Last Travel), a novel in which Swift's character is presented on an imaginary fifth journey, this time into the River Plate. It satirizes ways and customs of present day society, including sports, television, politics, etc. To justify the parody, the narrative is set immediately after the last voyage written by Swift (precisely, 1722), and the literary style of the original work is kept throughout the whole story.

The British children's book Mr Majeika on the Internet (2001) by Humphrey Carpenter includes modernized parallels to the lands of the Lilliputians, Brobdingnagians, Laputans and Houyhnhnms, as well as a mouse named Gulliver.

Adam Roberts' novel Swiftly (2008) is set 120 years after Gulliver's time and shows a world where the inhabitants of Lilliput and Blefuscu are now slaves of the British, and the Brobdingnagians are allied to France in a war against Britain.




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