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1503-Vellum-BOOK-HOURS-Medieval-FRAGMENT-Illuminated-FRENCH-Catholic-MINIATURE
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1503 Vellum BOOK HOURS Medieval FRAGMENT Illuminated FRENCH Catholic MINIATURE

Bifolium with Gold Illuminated Initials & Miniature!

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Item specifics

Binding: Fine Binding Special Attributes: 1st Edition, Illustrated
Subject: Religion & Spirituality Origin: European
Topic: Christianity, Bibles Year Printed: 1503

ElevenElevenBooks

Visit my eBay store  ElevenElevenBooks
YOU ARE BIDDING ON A 500+ YEAR OLD  4 PAGE/ 2 LEAF FRAGMENT OF GORGEOUSLY HAND PAINTED AND ILLUMINATED TEXT FROM THE BOOK OF HOURS ORIGINATING IN FRANCE,
 CIRCA 1503



This is a page from the famed Book of Hours, namely the Hours of the Virgin, from roughly 1503 in Paris
, with 31 gorgeously illuminated medieval handwritten GOLD-RED-BLUE illuminated initials throughout (29 in Liquid GOLD), also with beautiful and singular Gothic-Handwriting; complexly arranged and created with the utmost in precision.  If you look closely, you can see the liquid gold shine in the illuminated letters, a perfect reflection of the care and time taken to make this page. An added bonus are the intimately detailed woodcut borders of various Biblical scenes and figures, including three inset miniatures, one of Jesus!

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History of the Art Creation and Color of these pages:
Gold foil ornaments could afford to larger extent only princes, bishops and rich monasteries. One painted with thin brushes and water or opaque colors, drawn with india ink and goose keel. Red color was often formed by red ochers, Zinnober, Menninge, carmine, Vermiculum, Folium, kite blood (bird), Krapp found and later Brasilholz was used. The precious magenta served in the antiquity and in the early Middle Ages contributed to dyeing some particularly magnificent Pergamentmanuskripte, which were then inscribed with gold or silver ink. For yellow colours stood yellow ochers, Auripigment, lead-yellow, Safran and Wau for order, for green colours green earth, malachite-green and for verdigris as well as Ultramarin, Azurit and Indigo as blue color means. For black tones lead and bone white, as well as soot were used. As bonding agents in the Middle Ages fish glue, Egg or rubber were used.

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Hourly books were usually provided with book decoration. Individual copies belong to the finest examples (such as this) ever manufactured  containing illustrated handwriting.

The page is made of Virgin vellum, reserved for the highest of classes, usually made from the skin of unborn animals, such as sheep, calves, and goats. The vellum is jam packed with detailed woodcut borders and figures as well. The lettering is brought forth with colored Minuskeln and Lombarden font highlighted in gold,red and blue, and artistic hand drawn ornaments throughout. 26 lines, single column in Romanesque Latin text.  Each leaf 6-1/8 INCHES TALL BY 4 INCHES WIDE; bifolium, as shown. Text in Old Latin influenced French. A few initials smeared, a few light stains, some marginal staining, some smears, but overall- GREAT!
Over 500 years Old, this is a truly rare and worthy of a museum!   


EXTREMELY RARE !!!


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The Book of Hours, Its History:

The hourly book (Book of Hours, also Horarium; (spätlat. horarium = clock), livre d' heures [livr ˈdœr], that; (frz.= hourly book)) were the structurary guide modeled after the Brevier of the Roman-catholic church,  very similar a prayer and a devotion book for the hourly prayer. Certainly they were first  for laymen, also for clerics. The hourly books that came into 13th Century & up  displaced the Psalter from its controlling role as Gebetbuch. In the late Middle Ages they were in circles of only the rich, read-well-informed aristocracy and city aristocracy, making this the private devotion book par excellence. Principal items of the hourly books formed a marianisches Offizium and the Totenoffizium. The designation hourly book leads itself off of therein the contained, to certain hours at praying day times.

Originally beginning around midnight with the Matutin, which was summarized in the morning for practical reasons in the course of the years with the Laudes at three o'clock, one prayed in the morning in the three-hour rhythm starting from six o'clock prime, third, the Sext, the Non (Liturgie) the Vesper (Liturgie) and the Komplet. In hourly books were also Cisiojanus Merkverse, which helped during the dating of the mobile celebrations of the church yearly.

From Abebooks.com:

Books of Hours are arguably the most beautiful of all books. They are also some of the most expensive, with modest examples starting in five figures. One of the finest Book of Hours-the richly illuminated Rothschild Prayerbook-sold for a record $13.5 million (£8.6 million) in 1999.

Books of Hours are private devotional books that were enormously popular with wealthy Catholics in the fifteenth century. They were typically structured around the hourly prayers observed in monasteries, and devout Catholics were expected stop eight times a day and recite the appropriate liturgy.

Despite their strongly religious origin, the books served more as status symbols and fashion accessories than paths to heaven, a fact testified to in the large number of copies that survive in exceptional condition. Most Books of Hours are illuminated manuscripts, beautifully written out by hand on vellum, with ornate initial letters in each section, decorative page borders, and-in the better examples-delicate paintings, which are called miniatures.

According to the Oxford English Dictionary, the word miniature comes from the Italian term for medieval book illustration. Since these illustrations were small, the English word came to refer to diminutive size. Another common English phrase related to Books of Hours is red-letter day. Books of Hours often included a calendar of holy days, and scribes typically indicated the most important days with red ink.

Tens of thousands of Books of Hours survive, making them by far the most common books of the Middle Ages. Today, as six hundred years ago, these manuscripts are sought for their beautiful illustrations and decoration, not their content, which is archaic and typically written in Latin. The price of a manuscript depends entirely on the number and quality of the miniatures.

The miniatures usually depict scenes from the Bible and the lives of the saints. The settings, however, are not historical. Instead, the painters placed the figures in contemporary settings showing, for example, medieval castle towers in the background of a painting of the Crucifixion. Often it is possible to find a portrait of the original owner of a Book of Hours in one of the paintings.

While complete Books of Hours can be expensive, individual leaves written out and decorated by a scribe six centuries ago, can be found for little more than the price of a new hardcover book about illuminated manuscripts.



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