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Pretty Hate Machine [2010 Remaster] by N...
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Pretty Hate Machine [2010 Remaster] by Nine Inch Nails (CD, Nov-2010, Island (Label))

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NEW Pretty Hate Machine:2010 Remaster - Nine Inch Nails
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NEW Pretty Hate Machine:2010 Remaster - Nine Inch Nails
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Pretty Hate Machine 2010 Remaster CD by Nine Inch Nails HALO 02R NIN Reznor Sin
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Pretty Hate Machine 2010 Remaster CD by Nine Inch Nails HALO 02R NIN Reznor Sin
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Product description
Album Features
UPC:602527567730
Artist:Nine Inch Nails
Format:CD
Release Year:2010
Record Label:Island (Label)
Genre:Industrial, Rock & Pop

Track Listing
1. Head Like a Hole
2. Terrible Lie
3. Down in It
4. Sanctified
5. Something I Can Never Have
6. Kinda I Want To
7. Sin
8. That's What I Get
9. The Only Time
10. Ringfinger
11. Get Down Make Love

Details
Playing Time:53 min.
Producer:Trent Reznor, John Fryer, Adrian Sherwood, Keith LeBlanc
Distributor:Universal Distribution
Recording Type:Studio
Recording Mode:Stereo
SPAR Code:n/a

Album Notes
Nine Inch Nails: Trent Reznor (vocals, various instruments).Additional personnel includes: Richard Patrick (guitar); Chris Vrenna (drums).Personnel: Trent Reznor (programming).Recording information: Blackwing, London; Roundhouse, London; Synchro Sound, Boston; The Right Track, Cleveland; Unique, New York.Arranger: Trent Reznor.Although Nine Inch Nails mastermind Trent Reznor became the poster boy for industrial rock in the early 1990s, his '89 debut, PRETTY HATE MACHINE, actually has a stronger foothold in '80s synth-pop. The guitar-heavy opener, "Head Like a Hole," is the most aggressive track on the album and proved to be the signature song for Reznor's initial breakthrough, but much of the disc sounds like Depeche Mode in a particularly bad mood.All of the tracks on PRETTY HATE MACHINE are based on synthesizer lines and programmed beats, with other elements--such as the distinctive bass on "Sanctified" and sampled explosions on "That's What I Get"--filling out the sound. Despite Reznor's morose lyrics, a number of HATE MACHINE's finest moments are energetic dance tunes, particularly "Down in It" and the surging "Sin." Oddly enough, Reznor's fiercer--and seemingly less accessible--subsequent work (the BROKEN EP and THE DOWNWARD SPIRAL) led directly to his mainstream success, but PRETTY HATE MACHINE reveals where the Nine Inch Nails aesthetic started out.

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Created: 01/30/11

Pretty Hate Machine

Although Nine Inch Nails mastermind Trent Reznor became theposter boy for industrial rock in the early 1990s, his '89 debut, PRETTY HATE MACHINE, actually has a stronger footholdin '80s synth-pop. The guitar-heavy opener, "Head Like a Hole," is the most aggressive track on the album and proved tobe the signature song for Reznor's initial breakthrough, but much of the disc sounds like Depeche Mode in a particularly bad mood. All of the tracks on PRETTY HATE MACHINE are based on synthesizer lines and programmed beats, with other elements--such as the distinctive bass on "Sanctified" and sampled explosions on "That's What I Get"--filling out the sound. Despite Reznor's morose lyrics, a number of HATE MACHINE'sfinest moments are energetic dance tunes, particularly "Down in It" and the surging "Sin." Oddly enough, Reznor's fiercer--and seemingly less accessible--subsequent work (the BROKEN EP and THE DOWNWARD SPIRAL) led directly to his mainstream success, but PRETTY HATE MACHINE reveals where the Nine Inch Nails aesthetic started out. - Amazon

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