| Synopsis | |
| Comics and cartoons are ingrained in American life. One critic has called comic books crude, unimaginative, banal, vulgar, ultimately corrupting. They have been regarded with considerable suspicion by parents, educators, psychiatrists, and moral reformers. They have been investigated by governmental committees and subjected to severe censorship. Yet more than 200 million copies are sold annually. Upon even casual examination BLONDIE, ARCHIE, MARY WORTH, THE WIZARD OF ID, and SHOEamong the many comic stripswill be found to support some commonly accepted notion or standard of society. Why do comics both amuse and arouse controversy? Here is an attempt at an answer in a sharp-eyed comic-book lovers probing look at this step-child genre. He finds comics both loved and hated, relished and sneered at. In their relying on dramatic conventions of character, dialogue, scene, gesture, compressed time, and stage devices, he finds the comics close to the drama but probably closer kin to These ten essays by one of Americaas foremost authorities on popular culture survey the influence of the comic strip and, despite the legions of detractors, show it to be an art form that has enriched and reflected most of American culture | |
| Product Identifiers | |
| ISBN-10 | 0878054073 |
| ISBN-13 | 9780878054077 |
| Key Details | |
| Author | M. Thomas Inge |
| Number Of Pages | 192 pages |
| Format | Hardcover |
| Publication Date | 1990-01-01 |
| Language | English |
| Publisher | University Press of Mississippi |
| Additional Details | |
| Copyright Date | 1990 |
| Classification Method | |
| LCCN | 89-037375 |
| LC Classification Number | PN6725.I54 1990 |
| Dewey Decimal | 741.5/0973 |
| Dewey Edition | 20 |